Keywords: Drama
There are more than 200 results, only the first 200 are displayed here.
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AUSTRALIA
- Christine Burke
- 30 June 2017
29 Comments
The origins of hospitals, schools and social services can be traced back to the efforts of people of faith. Much poetry, art, drama and literature grapples with the deeper meaning of life in dialogue with a larger vision found through the everyday challenges of our lives. This religious urge can re-emerge as nationalism, racism, greed, or narcissism, and these have no inherent counter force to question their authenticity. The truths at the base of great religions reorient us towards love, peace and justice.
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ENVIRONMENT
- Greg Foyster
- 22 June 2017
6 Comments
If politics is theatre, climate politics is a family drama. For the last decade we've watched two rival households having the same endless argument. Political journos call it the 'climate wars' and mostly focus on the lead actors standing in the spotlight - in the Western narrative tradition, characters drive events. Almost no one has noticed the scenery change. Stagehands dismantled the backdrop years ago, but politicians have carried on as if the same circumstances existed when they started this charade.
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ARTS AND CULTURE
- Tim Kroenert
- 21 June 2017
2 Comments
Catherine arrives a new bride, with husband Alexander, to take up residence in his luxurious rural home. Quickly we get a sense of how little control she has over her destiny. Alexander demands she remain inside the house at all times; when one evening she wishes to go to bed early, her father-in-law orders her to remain awake for her husband. In the life of the household, she is merely an attractive object. Yet like her Shakespearean forebear, she is not averse to manipulation and violence in pursuit of her goals.
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INTERNATIONAL
- Binoy Kampmark
- 22 May 2017
7 Comments
The European Union, according to Assange, has been captivated by an unhealthy interest in indefinite detention: 'There is no time limit that someone can be detained without charge. That is not how we expect a civilised state to behave.' Prematurely, tabloid press and outlets were wondering if the latest developments meant the end of the drama. A statement from the Metropolitan Police dispelled any doubts about Assange's plight, should he wish to leave his narrow digs in Knightsbridge.
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INTERNATIONAL
- Ann Deslandes
- 22 May 2017
2 Comments
Last Tuesday night in Mexico City I headed to a bar with some press colleagues. It was late and the bar was lit with candles for mood lighting. As we sat down to order drinks my friend Joan took the candle in front of her and said, 'I'll hold onto this for the next journalist to be murdered.' We had been at a vigil to mourn the murder of journalist Javier Valdez and to protest the ever-escalating number of journalist murders in the country in a legal and political climate of almost total impunity.
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RELIGION
- Fatima Measham
- 12 April 2017
18 Comments
Easter, for me, has always been a time to sit in the brokenness of things, to absorb the dread and devastation, and reel at the inexplicable sacrifice. Crushing humility might have characterised my experience in previous years. This year, I feel formless rage. The human drama of Easter - with its betrayals, moments of audacity and doubt, the machinations in shadow - bears the sting of injustice. The central narrative is political. Choices were made by people in power. They are still being made.
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ARTS AND CULTURE
- Tim Kroenert
- 30 March 2017
1 Comment
A film about a lonely widower who repeatedly attempts suicide seems like a grim proposition. Ove has suffered one too many blows in his life, the latest being the loss of his job. He finds himself at a loose end, if not purposeless. He is the self-appointed overseer of the gated community where he has lived for years, enforcing protocols of behaviour among his terrorised neighbours. Now he's had enough, and decides to join his beloved wife Sonja, in eternity. But dying doesn't come easily to Ove.
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ARTS AND CULTURE
- Tim Kroenert
- 08 March 2017
2 Comments
Mildred would later say of Frank that 'he always took care of me'. Yet this telling of the story shows a more mutual exchange of strength and support than such a statement might imply. The Lovings' entanglement with the state of Virginia would ultimately lead to constitutional change in favour of interracial marriage, and Loving portrays Ruth as the main agent of the battle. At a time when cultural appropriation has become much talked about, this film by a white filmmaker shows a different way.
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RELIGION
- Andrew Hamilton
- 08 February 2017
18 Comments
The inflated image I once had of Cardinal Ratzinger, and that many Catholics have of cardinals and other authority figures, was shaped by fear. Fear hands over to the human beings behind the image a power they do not possess. Conversations always turn to them and inhibit the free and constructive living of faith. In helping to demystify such images Last Testament, the autobiography (written with Peter Seewald) of Pope Benedict XVI, serves us well.
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ARTS AND CULTURE
- Tim Kroenert
- 08 February 2017
1 Comment
The Academy, it seems, has listened. After the #whiteoscars furore of past years, three of this year's Oscar nominees for Best Picture, Moonlight, Fences, and Hidden Figures, are films with predominantly (if not entirely) Black casts, and focused on the experiences of Black characters. Cast and crewmembers from all three have been nominated in various categories. To be fair, all three films would have demanded attention, with or without the recent controversy around awards season racial bias.
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AUSTRALIA
- Neve Mahoney
- 08 February 2017
3 Comments
Last year, I attended the AFL Pride Match with the LGBTI youth group Minus18. As I walked to Etihad Stadium, there was something profoundly emotional about seeing rainbows mix with football colours. A huge part of my childhood was no longer alienated from my lived reality. Yet as the game went on like any other, the whole experience recast itself. I felt more and more conspicuous, and I wondered how safe I'd feel if I were watching alone, waving a rainbow flag.
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ARTS AND CULTURE
- Tim Kroenert
- 01 February 2017
2 Comments
The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.
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