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There are more than 200 results, only the first 200 are displayed here.
Are women truly the villains that modern crime dramas portray them to be? Despite the sensationalised 'evil woman' trope, real-life statistics tell a different story. It’s a cruel irony that the way to really victimise a woman is to tell her that she is the perp when she really is overwhelmingly more likely to be the victim of violent crime.
For decades, unchecked corporate power and policy failures have driven up Australia's cost of living, leaving many Australians struggling. As corporate interests dominate, CEO pay increases dramatically while wages stagnate, and inflation rises. This influence of corporate Australia has eroded economic safeguards, dismantling the guardrails that once protected the common good.
I wonder how many Australians were captivated, as was I, by the 80th anniversary D-Day celebrations? They seemed epochal to me: a reminder of something remarkable and a pointer to something possible, namely new resolve to maintain peace in Europe. Not too many Australians, as it turned out, were similarly mesmerised.
In response to campus protests, universities erred on the side of free speech when every other day, the prevailing ethos is one of ‘safetyism’, namely suppressing speech or inquiry if an identity group frames it as ‘harmful’ to them. Universities should strive to be uncomfortable and ‘unsafe’ for all, with no identity immune from robust scrutiny.
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
Featuring a stellar cast of Hollywood’s finest actors, Apple TV's Extrapolations was a bold attempt to center a TV narrative around the dangers of our future on a warming planet, yet failed to capture audiences. But where Extrapolations failed as an effective cautionary tale for society, it may have succeeded as one for filmmakers.
Lent is a time of asking what matters and on commitment. It is a time of grounding, on awareness of the ground and the ash on which we stand, and of focusing on what is important. That being grounded underlies the idea of humility, of being earthed with one’s bare feet on the soil.
The world of Fargo, like ours, is a fallen one, and it’s clear at the end of this season that the cycle of violence will continue. But we’re also left with a strong hope that some of the characters might have found a way out of that hellish cycle of debt and restitution. And if there’s hope for them, there’s hope for us all.
In December, the sprint to the end of the year is a drama of timing, perfectly illustrated in Christmas classic Die Hard: In the holiday rush, like Hans Gruber, we plot with precision. Yet life often demands we improvise like John McLane, finding the most welcome gifts of the season in the unscripted moments.
The Crown, that extraordinary TV series about the British Royal Family, is drawing to a close, with the final six episodes released in the prelude to Christmas. In the meantime, the producers have shrewdly done a quartet of episodes about Diana, with Australia's Elizabeth Debicki giving a dazzling performance as ‘the People's Princess’.
Paul McCartney's concerts evoke a communal magic, lighting up arenas with shared cultural memory spanning generations. Seeing the legendary musician perform in concert, retaining a youthful vigour, the experience can feel like a poignant rendezvous across time.
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