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I sat glued to US actor Charlie Sheen's fall from grace, which came to a head yesterday with his sacking from high-rating sitcom Two and A Half Men. The drama played out by his family, more so than the actor's meltdown, brought back a painful episode from my own past.
The birds I can't quite like, that symbolise .. cold self-intent, greed, the scalding primal .. writ small: drama queens and morsel-pirates .. at odds after the picnic — scraps about scraps.
Your ribs cast a tent of .. light, dramatic and impossible .. your bifurcated brain .. the chambers of your heart .. your spine, your face — surprisingly familiar and haunting
Manny, terrified and bewildered, clutches a crucifix and prays, while lawyers spew jargon-laden bile at one another. It might seem strange to invoke a Hitchcock film at Easter, but we can see a similar horror at work in the trial of Jesus.
On the slimmest of pretexts, fuelled by her own dubious and malicious instincts, Sister Aloysius launches a vendetta against Father Flynn. Doubt deals with the subject of clergy child abuse, though not in the way you might expect.
If Manning Clark was oversensitive to criticism, he was also strongly, sometimes brutally, criticised by his peers and by journalists. Matthews' biography presents the relationship between Clark's writing and his dramatic inner world.
In 1974 French acrobat Philippe Petit balanced mortality and destiny on a wire between New York City's Twin Towers. This documentary imbues Petit's dizzying, existential quest with the dramatic tension of a bank heist.
Hannah's tragic choices are underscored by her desire to neither deny nor conceal her Jewish roots. The questions regarding cultural identity, matrimonial propriety and parental instincts that pervade Un Secret are interesting, but are not articulated concisely.
Helen Hunt has entered middle age gracefully, and appears both physically and emotionally haggard in this proudly adult drama. An unashamed tearjerker, the real triumph of Then She Found Me is that it's also very funny.
Satisfaction takes place in a high-class city brothel, where demand is high and prices are higher. But it's more a matter of 'normalise' than 'glamorise'. The workers' everyday conflicts are exacerbated by the nature of their profession.
Boxing Day is a low-budget Australian film that combines different techniques to achieve a simmering fly-on-the-wall documentary-style drama. It seeks hope and forgiveness against a low-income suburban landscape, in a way that contributes to the broader story of reconciliation.
Richard Flynn is a former teacher of senior English and drama at St Ignatius College, Adelaide. He has an online business specialising in copy editing.
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