Welcome to Eureka Street

back to site

Keywords: Drama

  • RELIGION

    Demystifying 'God's Rottweiler'

    • Andrew Hamilton
    • 08 February 2017
    18 Comments

    The inflated image I once had of Cardinal Ratzinger, and that many Catholics have of cardinals and other authority figures, was shaped by fear. Fear hands over to the human beings behind the image a power they do not possess. Conversations always turn to them and inhibit the free and constructive living of faith. In helping to demystify such images Last Testament, the autobiography (written with Peter Seewald) of Pope Benedict XVI, serves us well.

    READ MORE
  • ARTS AND CULTURE

    Fences and co. fight back against Oscars racial bias

    • Tim Kroenert
    • 08 February 2017
    1 Comment

    The Academy, it seems, has listened. After the #whiteoscars furore of past years, three of this year's Oscar nominees for Best Picture, Moonlight, Fences, and Hidden Figures, are films with predominantly (if not entirely) Black casts, and focused on the experiences of Black characters. Cast and crewmembers from all three have been nominated in various categories. To be fair, all three films would have demanded attention, with or without the recent controversy around awards season racial bias.

    READ MORE
  • AUSTRALIA

    It's more than a game to LGBTI football fans

    • Neve Mahoney
    • 08 February 2017
    3 Comments

    Last year, I attended the AFL Pride Match with the LGBTI youth group Minus18. As I walked to Etihad Stadium, there was something profoundly emotional about seeing rainbows mix with football colours. A huge part of my childhood was no longer alienated from my lived reality. Yet as the game went on like any other, the whole experience recast itself. I felt more and more conspicuous, and I wondered how safe I'd feel if I were watching alone, waving a rainbow flag.

    READ MORE
  • ARTS AND CULTURE

    Race, addiction and sexuality by moonlight

    • Tim Kroenert
    • 01 February 2017
    2 Comments

    The chaos embedded in these characters' world is made clear through physical symbols - Chiron flees from bullies into an abandoned drug den, where he finds a used syringe and holds it up to the light like a talisman - and by the camera, which trails and circles the characters, or locks onto their faces, a conduit for their grief or desperation or lust or rage or joy. Bursts of actual violence or dramatic confrontation are rare. Where they occur it is their emotional content that is most confronting.

    READ MORE
  • AUSTRALIA

    The year our leaders doubled down on doubling down

    • Mark Hearn
    • 31 January 2017
    6 Comments

    2016 was a bumper year for the political double down. Journalist Mark Kenny witnessed a dramatic manifestation: 'Mr Abbott was seen to double down on his recent indirect messaging to Mr Turnbull about a possible return to the frontbench.' A combined 'double down with indirect messaging': perhaps a uniquely Abbott adaptation. Doubling down - otherwise known as repeating yourself - is the public language of aggressive redundancy, drowning out alternative voices and ideas.

    READ MORE
  • MEDIA

    Queering the airwaves for TV diversity

    • Adolfo Aranjuez
    • 29 November 2016
    17 Comments

    A recent Screen Australia report determined only 5 per cent of characters in Australian TV dramas could be identified as LGBTQI; less than half the proportion of real-world queer individuals in Australia. Media products are inherently normative, legitimising identities and lived realities through visibility. This is important, given the continuing debates surrounding marriage equality and the pervasiveness of homophobia, the result of which was seen in the suicide of 13-year-old Tyrone Unsworth.

    READ MORE
  • INTERNATIONAL

    An ode to speechless Bob Dylan

    • Philip Harvey
    • 04 November 2016
    10 Comments

    Initial silence from Dylan after the announcement of his Nobel Prize led one of the Scandinavian officials to complain he was being 'impolite and arrogant'. This prompted even more vitriolic opinion online on all sides, from fans, litterateurs, Dylanologists, and other armchair grenadiers. Just as things were getting completely tangled up in blue Dylan himself broke the silence to explain that news of the award had left him speechless. We shouldn't be surprised. Speechless is a normal state for a poet.

    READ MORE
  • ARTS AND CULTURE

    Deepwater oil disaster warns against drilling the Bight

    • Tim Kroenert
    • 05 October 2016
    1 Comment

    At the opening of the Environmental Film Festival Australia in Melbourne last week, festival patron and former Greens senator Bob Brown highlighted the movement against oil drilling in the Great Australian Bight. He painted a picture wherein a major spill in the region could lead to an environmental disaster stretching as far from the site as the NSW coast. His words make the release of Deepwater Horizon, about the disaster that led to the 2010 BP oil spill in the Gulf of Mexico, even more timely.

    READ MORE
  • ARTS AND CULTURE

    Refugee children process trauma through drama

    • Tim Kroenert
    • 21 September 2016
    1 Comment

    At a Sydney school, a group of teenage refugees come together to share their stories, first with each other, and then with their friends and families via a live theatrical performance. Treehouse Theatre is run by three dedicated teachers, who facilitate the sharing, and help transform the children's stories into scripts that can be performed. Their stories are yet another reminder of the human cost of conflict, and of policies that exclude and further traumatise those who are fleeing from it.

    READ MORE
  • ARTS AND CULTURE

    Antiheroes of the Bush-Cheney arms boom

    • Tim Kroenert
    • 25 August 2016

    War Dogs is the latest in a string of films from the past few years that are custom made for our cynical times; deeply ironic black comedies and dramas featuring antiheroes who profit to the point of excess off the misery of others. Where those films dealt with the finance industry and gained relevance from the backdrop of the Global Financial Crisis, this one shifts focus to the grimier world of arms dealing, in the context of Bush era conflict in Iraq and Afghanistan.

    READ MORE
  • ARTS AND CULTURE

    Dying with dignity in Madrid

    • Tim Kroenert
    • 19 August 2016
    6 Comments

    The film's quiet humour leaves open many spaces for reflection on getting older, and on mortality. Tomas is uncomfortable with the subject of death, but Julian is determined to confront it with honesty and dignity. His activities during those four short days reveal he possesses a well formed conception of his own humanity and mortality that is not short of admirable. We are as sympathetic to Paula raging against her cousin's resignation, as we are to Tomas' growing acceptance.

    READ MORE
  • ARTS AND CULTURE

    Worn and wasted by election day shambles

    • Ellena Savage
    • 08 July 2016
    3 Comments

    The OIC makes a dramatic speech about the integrity of live ballot papers, that there will be no repeat of the Western Australian kerfuffle, that we have our booklets that contain all the answers (and many typos, too). He seems nice. Maybe a little skittish. Not someone I'd imagine would be hired to run an office or manage a kitchen or even wait tables, but he must know what he's doing. This speech is the last demonstration of authority I witness on this day.

    READ MORE
Join the conversation. Sign up for our free weekly newsletter  Subscribe