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At Midnight Mass and blissed-out on the music playing on his Walkman, the newly atheist Zac daydreams that he’s floating up to the rafters, taking flight as the congregation below 'ooh-oohs' to the refrain of the Stones’ 'Sympathy For the Devil'. More than escapism, the scene reflects Zac’s unconscious desire to transcend the natural order of his world.
The unfolding affair of the floating sheep would move most people, even someone named Truss, to poetry, because it is full of echoes, paradoxes and drama.
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