Keywords: Film
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Cherie Gilmour
- 29 March 2022
13 Comments
A house bursts into flames as it’s submerged in floodwaters. A doctor tells a cameraman filming a dying Ukrainian child to send the footage to Putin. A newspaper delves into the murder of a young woman. It’s like a fever dream: a pandemic bleeds into the edges of a global war. The news presents information, and it has no moral duty to tell us how we should feel about it or help us untangle the knot of feelings which emerge.
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RELIGION
While we have been (barely) coping with a pandemic and natural disasters, the death of a larger-than-life figure like Shane Warne — an ordinary-bloke-cum-sporting-legend, an ever-present companion to Australian audiences, and seemly untouchable — has really brought home the fragility of life. It has drastically reminded us of our mortality: that we don’t live forever.
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ARTS AND CULTURE
- Ian C Smith
- 13 April 2021
3 Comments
I flip his collar, air chill, damp, my quick fists burrowing into jacket pockets. I long for an angel with Edie’s face, convent-innocent, unlike mine, who might understand, even share, my boyish dream of making the big time.
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RELIGION
- David Holdcroft
- 27 October 2020
9 Comments
Insofar as there is hope in Francesco, it emerges gradually through an intimate viewing of the Pope’s engagement with the ‘hot button’ issues of our day, the environment and climate change, refugees and immigration, violence and conflict, disparity of wealth and poverty, women’s place in society and Church, family and sexuality, and sexual abuse within the Church.
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ARTS AND CULTURE
- Arnold Zable
- 06 October 2020
4 Comments
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
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MEDIA
- Celeste Liddle
- 27 February 2020
15 Comments
Last year, two documentaries regarding the Adam Goodes booing fiasco were released mere weeks apart: Shark Island Productions’ The Final Quarter and Madman Films’ The Australian Dream, anchored by Stan Grant. Given the topic and timing of both of the films, I couldn’t help but compare the two films as an Aboriginal viewer who spends a lot of time dissecting Australia’s racism in her own analysis. As I watched both of them, my reaction to each was markedly different.
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ARTS AND CULTURE
- Carolyn Cage
- 06 February 2020
8 Comments
Growing up I cringed at Asian representation in film and television. More often than not we were cast as nerds, martial artists or second to the plot. We had little depth to our characters, which continuously perpetuated racial stereotypes — stereotypes that still exist today.
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AUSTRALIA
- Andrew Hamilton
- 08 July 2019
5 Comments
The NAIDOC theme returns to the other side of the relationship between First and later Australians — that of unity within a single nation — and invites cooperation in a project that matters to all Australians. At stake is not simply the fulfilment of Indigenous hopes but shared pride in an Australian identity.
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ENVIRONMENT
Researchers have been documenting the rise of 'eco-anxiety' or 'eco-angst' for some time, and these feelings of despair and powerlessness are common. But we need to become the heroes of this dystopic film plot. Somehow, in the face of all our anxiety and despair, we need to locate our capacity for hope and our courage to take action.
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ARTS AND CULTURE
- Eleanor Harrison-Dengate
- 26 November 2018
5 Comments
This is the first time so many characters with major screen time have been from diverse backgrounds in a Harry Potter film. But it’s not enough to just plonk them into an already bursting script.
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ARTS AND CULTURE
- Tim Kroenert
- 01 November 2018
20 Comments
Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.
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ARTS AND CULTURE
- Tim Kroenert
- 15 August 2018
1 Comment
Julianne Nguyen turns a smartphone, webcam and head-mounted go-pro to the purposes of self-examination. A child of Vietnamese parents but born in Australia, she practises Christianity and Buddhism, and is trying to parse these various elements. 'I'm Australian. I feel Vietnamese,' she says, then chants: 'West. East. No, West. No, East.'
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