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There are more than 200 results, only the first 200 are displayed here.
Ridley Scott’s Gladiator II promises grandeur but stumbles on the path to recapturing the original’s magic. Paul Mescal dazzles, Denzel Washington commands, and sharks make their sword-and-sandals debut. But spectacle overshadows story, leaving a sequel that’s more baffling than breathtaking. Are we entertained? Sort of.
Starring Cate Blanchett at the height of her powers, Disclaimer, the new streamer by Alfonso Cuarón, has already been dubbed the finest thing ever made for the new television, with the director claiming not to have made a serial, but a continuous film.
As the Booker Prize winner is announced, the perennial questions resurface: What does winning truly mean for writers — and for readers? As public values shift, literary prizes ignite fierce debate about artistic merit, cultural relevance, and the commercial impact of awards. Can a prize still shape the future of fiction?
After a stunning defeat, Kamala Harris urged Americans not to despair even though as Trump returns to the White House, the Democrats face a harsh reckoning. Beyond the star-studded stages and celebrity endorsements, the real work lies in understanding the voters they overlooked and finding a way back to them.
Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
As Halloween starts to become a staple in Australian neighbourhoods, for most people its ghosts mean little more than costumes and candy. But from haunted churches to eerie local legends, Halloween says something about us and the way we carry snatches of unresolved history.
Set in the aftermath of World War II, Nuremberg has psychiatrist Dr Douglas Kelley seeking to unravel the psychological roots of evil by studying Nazi officials on trial at Nuremberg. His chilling findings led to unsettling conclusions about human nature, culminating in a tragic personal end that mirrored the darkness he encountered.
I wish I could tell you why Nobody wants this is so funny without giving spoilers. Add to that the real tenderness between the two lovers, and you’ve got something unusual: a believable romance, funny and sometimes surprisingly honest with little moments of humility and vulnerability.
With moments of shared perspective and common ground, the weird thing about the CBS debate the debate between the two putative vice-presidents, J.D. Vance and Tim Walz, was how civil and considerate it was and (in its way) how impressive.
After decades of cinematic highs and notorious flops, Francis Ford Coppola self-financed this grand spectacle — his boldest gamble yet. But in a film landscape that favors safe bets, can Megalopolis rise to the occasion, or will it be a final, glorious folly from one of cinema’s greats?
If you care about theatre and film and television you should be grateful to have lived at the same time as Maggie Smith. She was an artist of incomparable power and nuance, of tremendous wit and complementary poignancy. The Harry Potter kids are lucky to have experienced such style and know-how and grace.
In the early 20th century, the Salvation Army emerged as a dominant player in the nascent film industry. From pioneering filmmaking techniques to navigating the first moral dilemmas around film censorship, their cinematic journey is a fascinating, often-forgotten chapter in film history.
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