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Keywords: Film

There are more than 200 results, only the first 200 are displayed here.

  • ARTS AND CULTURE

    Rock star Streep and the uphill battle for Hollywood diversity

    • Tim Kroenert
    • 27 August 2015

    There's a running gag that in Hollywood there are few roles for women over a certain age, unless you are Meryl Streep. Of course it isn't really a joke, if you consider the consistently dire statistics regarding gender, age and race diversity in mainstream American films. Whatever you make of this deplorable inequality, there can be little doubt that Streep is an actor singularly dedicated to her craft, who works hard and throws herself with aplomb into the wide range of roles that come her way.

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  • ARTS AND CULTURE

    Former Xavier students' love transcends AIDS horror

    • Tim Kroenert
    • 20 August 2015
    25 Comments

    Timothy Conigrave's memoir Holding the Man is a classic of contemporary Australian queer literature. Originally published in 1995 a few months after Conigrave's death from AIDS, it is an account of his relationship with John Caleo, whom he met in 1976 when they were both students at the Melbourne Jesuit private boys school Xavier College. Conigrave and Caleo were together for 15 years until Caleo's death (also from AIDS) in 1992. This film adaptation of their story is nothing if not bold.

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  • ARTS AND CULTURE

    Why Marvel was wrong to whitewash 'wifebeater' Ant-Man

    • Tim Kroenert
    • 23 July 2015
    1 Comment

    It is the most kid-orientated of the recent Marvel films — so maybe not the right forum for deconstructing the domestic violence sins of a key character's past. Still, considering the whole Black Widow/slut-shaming debacle that followed The Avengers: Age of Ultron (and that film's alleged gendered stereotyping of Scarlett Johansson's Black Widow), it is not a good look to note that Marvel president Kevin Feige last year literally laughed off the prospect of spousal abuse being touched on in Ant-Man.

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  • Maintaining the humanity of the public square

    • Greg O'Kelly
    • 01 July 2015
    3 Comments

    The phrase 'the public square' is peppered throughout Frank Brennan's work. The 1988 film Cinema Paradiso depicts the public square in a Sicilian village over 30 or so years, and its slow and subtle change from a place where human beings gather to laugh, play and discuss. Billboards and garish signs appear and it becomes a car park bereft of its humanity.

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  • ARTS AND CULTURE

    Abuse victim's post traumatic horror

    • Tim Kroenert
    • 16 April 2015

    The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.

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  • ARTS AND CULTURE

    Ode to the death of hippie idealism

    • Tim Kroenert
    • 19 March 2015
    2 Comments

    In 1993 Joaquin Phoenix's brother, River, died of a drug overdose, in front of a club owned by Johnny Depp. Depp later starred in an adaptation of Hunter S. Thompson's drug-addled Fear and Loathing in Las Vegas, prompting one film critic to wonder how Depp could see much humour in the material. One might now be tempted to ask the same question of Phoenix, who was present during his brother's fatal overdose.

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  • ARTS AND CULTURE

    A larrikin look at sinful sugar

    • Tim Kroenert
    • 12 March 2015
    2 Comments

    Gameau's quest takes him to the Northern Territory, where the prevalence of high-sugar beverages has taken a dire toll upon Indigenous communities, whose access to nutritious foods has been stymied by government policy. Also to America, where he yarns with food industry spin doctors and witnesses the excruciating dental procedure a Kentucky teenager endures to reverse the effects of 'Mountain Dew Mouth'.

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  • ARTS AND CULTURE

    Birdman or (The Totally Expected Sin of Hollywood Narcissism)

    • Michael McVeigh
    • 01 March 2015

    With Birdman or (The Unexpected Virtue of Ignorance) winning the Best Picture Oscar, a lot of people are pointing out the fact that three of the last four Best Picture winners are about movies, or the act of making them. That's not including 2011 winner The King's Speech, which was about the art of performance. That Hollywood loves itself a little too much is an obvious, and probably valid, conclusion to draw. But the deeper question to ask is why films like Birdman resonate so strongly. Read more

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  • MEDIA

    Why Selma needs no Oscars

    • Fatima Measham
    • 20 February 2015
    13 Comments

    It is hard to escape the impression that even in 2015 the only black characters that the American film industry can reward are maids, slaves or dysfunctional urban archetypes, in stories where there is an identifiable white saviour. Any triumphs are of the spirit, of personal fortitude, nothing that compels social responsibility, invokes political will or even a sense of historical reckoning.

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  • ARTS AND CULTURE

    US health care a sick joke that’s coming to Australia

    • Ellena Savage
    • 23 January 2015
    9 Comments

    America's iniquitous health care system is often portrayed with dark humour in popular culture such as the 2007 Michael Moore film Sicko. Our own Federal Government has been putting constant pressure on our system of universal health care as it pursues a course of action that presents class warfare as fiscal responsibility. It raises questions about the vested interests behind dismantling health care protections for poor people.   

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  • ARTS AND CULTURE

    Ten films that will get you talking

    • Tim Kroenert
    • 18 December 2014
    8 Comments

    It's December, and film writers everywhere are putting together their lists of the best films of 2014. But best-of lists are so subjective, so here's our take: ten films from 2014 that are guaranteed to get you thinking, and talking!

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  • ARTS AND CULTURE

    Films a blind man loves

    • Tim Kroenert
    • 04 December 2014
    1 Comment

    Try watching slasher parody Scream 4 with your eyes closed and see how much sense it makes. On the other hand, Martin Scorsese's Goodfellas and Kevin Smith's Clerks, with stories driven by strong characters and dialogue, offer up cinematic pleasures even a blind person can appreciate. Welcome to the world of America's Blind Film Critic, Tommy Edison.

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