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There are more than 200 results, only the first 200 are displayed here.
Jesse and Celine head out to enjoy a final night in Greece. In conversation, the fray and fineness of their relationship are revealed. Discussions of philosophy and art illuminate ways in which their individual worldviews impact on their lived reality. They land in a hotel, where the conversation goes from intimate, to pragmatic, to something akin to exorcism.
Violence is a messy business, even when it is your 'business'. To father, husband and mafia boss Tony Soprano, the conflicting demands of being both a family man and a 'family' man present numerous moral, practical and emotional conflicts. In this role, James Gandolfini took viewers from the softest to the hardest potentialities of human nature.
In the 1920s New York society of Gatsby, money is literally God: benevolent to some; laying waste to the lives of others. It's a tough call whether Luhrmann has deliberately dumbed down Fitzgerald's text in order to appeal more readily to a mass market. If cinema was a medium to excite the eyes and ears while relaxing the brain, he'd be a master.
One of the great monuments to the 'Dunstan Decade', the Adelaide Festival Centre marks its 40th birthday next weekend. It was the first capital city complex devoted to the performing arts, before even the Sydney Opera House. For me the anniversary triggers a flood of memories, including a theatrical encounter with Dunstan himself.
Melinda Tankard Reist says 'in a culture that rewards exhibitionism, your achievements count for nothing unless you're willing to get naked'. The characters in Spring Breakers are the end product of a culture that has commodified young women completely. But is it helpful to objectify women to make a point about objectifying women?
Stéphanie loses her legs in a workplace accident. Alain is a single father who becomes her confidante. Their sexual encounters are shown to restore and affirm her dignity; they highlight the physicality of the act, particularly how Stéphanie's confidence in her own changed body flourishes through it.
Fr Murphy's atrocities include using the confessional as a lair in which to abuse his deaf students. With the Royal Commission already gathering steam, Silence in the House of God warns what revelations may be to come, and reminds those with high hopes for Pope Francis how much work remains to be done.
This week the Australian dollar reached its lowest point in three months. Tangible factors such as interest rates and trade with China influence its strength. But what really determines the direction of our currency is the whim of the currency traders. In that sense, the Aussie is is arguably the most 'unreal', or virtual currency in the world.
Despite moments of crass humour, This Is 40 is centrally moral, even conservative in its elevation of 'heteronormative' family unity. It stands as a nuanced riposte to the simplistic assessment made by one character that Debbie and Pete 'aren't right for each other'. Marriages are complex, and even troubled ones may not be easily dismissed.
As a social and political activist since my teens, people ask me what motivated me early on. A few factors shaped my values, including my Irish Catholic background and my public housing upbringing by a widowed mother on welfare. But it was a rock song that brought it all together. 'Someone lied,' it declares: 'Genocide.'
One man suffers the shame of sex addiction. For another, a quadriplegic, sex is a matter of dignity. Two couples meet for a civilised discussion about their children's behaviour, but civility collapses. An antihero embraces violence as a solution to exploitative American media. Eureka Street counts down its essential films of 2012.
A quadriplegic and a virgin, Mark hears from others how disability hinders or enhances their sexual activity, and recalls the humiliation of ejaculating involuntarily while being bathed. It is a human dignity issue for him, but what of the dignity of the 'sex surrogate' whose specialised services he employs?
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