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If human beings are diminished, they usually respond badly. When politicians are not engaged with shaping a better society they quarrel about slogans that are detached from larger goals, or about goals that they have abandoned in pursuit of economic purity. Then they turn on one another.
An actor is holding a skull in his hand. Life has nothing to say. Someone is waiting to disembark from a bus. The stage is holding its breath.
If vegans are indeed recognising that 'the protection of the planet is fundamental to protecting both humans and animals', merely taking on a label such as vegan is not enough. We need to consider plants and people along with animals and environmental factors. We need to consider what kind of eaters we want to be.
There has been a recent spate of men making inappropriate remarks. Barry Hall made a sexist joke on air. David Leyonhjelm told Greens senator Sarah to 'stop shagging men'. Bert Newton made a rape joke at the Logies. They were all called out. The way each responded left a lot to be desired.
On the face of it, Miquela is the same as any other ‘influencer’. But behind her normcore sunglasses, Miquela is dead. Orchestrating her content is Brud, an LA-based tech startup masterminded by Sara DeCou and Trevor McDefries. The more interesting question is not who Miquela is, but why she matters. Because Miquela holds up a mirror to how we construct our own online personas.
As the royal commission prepared to resume its hearings into financial services the Vatican released Oeconomicae et pecuniariae quaestiones, on the ethics of markets. Although written quite independently, passages of the document could have been mistaken for factual reporting of the royal commission.
The reports of sexual exploitation by officers of aid organisations illustrate the truth of Aristotle's dictum that the corruption of the best is the worst form of corruption. The factors that contribute to such behaviour are complex. They illustrate the constant need for self-reflection personally and in organisations, especially when doing good works.
While the female-led outcry continues, those men benefitting from the imbalance ought to question their privilege. Instead of carrying sympathetic white roses into the Oscars, they should use the opportunity to question their own complicity in accepting roles in movies where women are inadequately represented.
That Hollywood has a gender equality problem is not in doubt. The conversations around what constitutes assault and harassment, and about how Hollywood culture reflects and reinforces equality in society at large, is vital, and sophisticated. The standard of what we should expect is being constantly raised. It should be.
Keeping foreign billionaires and foreign governments out of Australia's elections can be done without keeping churches and charities out of routine advocacy for the poor and marginalised.
The results of recent surveys concerning sexual assault and harassment in the Australian arts are appalling. Post-Weinstein, this feels like a reckoning of the creative industries. Despite the increased awareness, many are asking how we can possibly change the entrenched culture of harassment and discrimination.
The refugees on Manus Island are not simply actors in a dramatic poem. They are human beings like us to whom we have a responsibility. They could have enriched us by their ingenuity and bravery had we accepted them. We should continue to listen to their voices and keep them in our hearts.
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