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It is a commonplace that our political discourse is much impoverished. Speeches are built around sound bites. The Trump administration is experimenting with letting go of speeches and communicating within the limits set by Twitter. In such a world there is little space for more complex rhetoric, for cultural reference, for reflection on historical precedents, or for wondering. Our politicians' words leave no echoes. It is worth musing on what may be lost in the thinning of public discourse.
'It will be your artists: the poets, painters, actors, dancers, musicians, orators - they will be the ones to lead the changes.' It was one of the many international invited guests, a Maori woman speaker, who made this prediction to the huge 40,000 strong crowd that marched to Hyde Park, Sydney, on 26 January 1988. In South Australia almost 30 years later, this prophecy continues to unfold in the high-stakes battle for country that surrounds the proposed nuclear waste dump.
2017 is set to be a momentous year for the arts in Australia. On 1 November we commemorate 50 years since Harold Holt announced the creation of an independent body to champion 'the free play of our cultural interests and enthusiasms at all levels' — an announcement that meant bringing together disparate focuses and isolated funds with a national vision. Yet today's Australia Council faces an uncertain future, and the free play of our cultural interests is jeopardised by that uncertainty.
Amid the noise of Batman battling Superman, the Avengers turning against each other, and middle aged fanboys whingeing about the Ghostbusters franchise being revitalised with an all-female lead cast, 2016 has actually been a pretty solid year for movies, both in and outside of Hollywood. We haven't had time to see them all (we have a magazine to publish, after all) but nonetheless here is a list of our ten favourite films reviewed in Eureka Street this year.
'No matter what the economic, political and legal problems confronted by modern day India, our response can be improved by an application of the key principles and norms developed in the international law of trade and human rights, helping to enunciate the realm of law, regulation and political accountability, enhancing public scrutiny providing the right environment for doing business.' Frank Brennan presents the 25th JRD Tata Oration, Xavier School of Management, Jamshedpur, India, 26 November 2016.
Snowden's disclosures regarding the data-mining activities of the US government sparked a worldwide debate about security versus privacy that rages to this day. If his status as either a villain or a hero - a traitor, or the ultimate patriot - remains a matter of debate in some circles, you won't die wondering in which camp Oliver Stone sits. In Snowden the famously didactic filmmaker posits an utterly sympathetic portrait within the structure of a lithe and gripping political thriller.
Don't mistake this for an idyll. Incongruently, the youngest child has built a bone shrine to Pol Pot. The father oversees a rigorous physical exercise regime; later he will boast that they have the fitness levels of elite athletes. Yet during a rock climbing expedition, Ben is unsympathetic when one of them injures himself, insisting the boy draw on his personal resources to extricate himself from very real peril.
On 26 July this year of 19 severely disabled residents were massacred as they slept in their beds at a residential care facility in Sagamihara, Japan. A further 26 were wounded. The perpetrator, Satoshi Uematsu, a former employee sacked for his disturbing views about the residents, later boasted of his 'achievements': 'It is better that disabled people disappear.' Isn't there an ever present probability that without an inclusive and accepting community, without believing in our possibilities rather than seeing only our limitations, we will spawn the likes of another Satoshi Uematsu here?
The Chinese Australian Forum witnessed the traction that One Nation had regained, and the re-emergence of Pauline Hanson as senator. This spurred them to mobilise against the rising prevalence of racist hate-speech against Muslim communities. Informed by previous experiences of One Nation coming to prominence in the 1990s, the CFA launched a #saynotoPauline campaign. It is one example of inter-community collaboration that is crucial in building momentum for broader anti-racist activity.
There's a bagel character, coded as Jewish, and a lavash (Armenian flatbread), coded as Palestinian, who clash because they have to share an aisle. 'Isn't the aisle big enough for both of you?' asks Frank. In this and other ways the film points to the destructive power of religious belief corrupted by self- or socio-political interest. On the other hand it ignores the role religion can play in developing robust ethical thinking about the ways in which we can interact meaningfully with others and the world.
The interviewees regard Vertigo with awe, waxing lyrical about its psychosexual subtext; but not a word is said about the inherent misogyny of a film that is explicitly about a man's objectification of a woman. The film's most interesting segment however concerns the pre-eminence of guilt in Hitchcock's films, and the role it plays in shaping human activity. This, says Martin Scorsese (a filmmaker similarly preoccupied with guilt and sin), may define Hitchcock as an essentially Catholic filmmaker.
When politicians and journalists speak about 'health' in an election context, they invariably are referring to healthcare, and usually hospitals at that. However, the health of individuals and communities is the result of many factors, of which access to healthcare is just one determinant. Climate change - the defining issue for public health this century, according to the World Health Organization's outgoing director general Dr Margaret Chan - barely figures in election health debate.
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