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Keywords: Comedy

  • ECONOMICS

    Waiting on the cash flow oracle

    • David James
    • 05 June 2024

    Early every month Australians with big mortgages anxiously wait to find out if the Reserve Bank will raise interest rates and put more pressure on their domestic budgets. It is a bit like waiting for pronouncements from the modern day equivalent of the Delphic oracle.

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  • ARTS AND CULTURE

    What's the deal with Unfrosted?

    • David Halliday
    • 14 May 2024

    Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?

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  • ARTS AND CULTURE

    Courtship rivalry

    • Eddie Hampson
    • 08 May 2024

    What at first appears to be a light-hearted romantic comedy glosses over the dark intensity of Challengers. The tangled and obsessive nature of the relationships within a love triangle mirrors the sport at the centre of Luca Guadagnino's latest. 

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  • ARTS AND CULTURE

    The promise of alchemy

    • David Rowland
    • 01 November 2021
    8 Comments

    Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.

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  • ARTS AND CULTURE

    Ted Lasso's workplace

    • Michael McGirr
    • 20 September 2021
    11 Comments

    It’s not hard to understand why so many people are watching Ted Lasso (Apple TV), nor why it was nominated for twenty Emmy Awards and won seven. Believe it or not, it is twenty years since The Office first premiered on the BBC. Not since then has a comedy series cut so close to the bone of our cultural needs and anxieties.

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  • MEDIA

    Access to visual stories should be a right for all

    • Jane Britt
    • 05 June 2019

    Without audio description, 357,000 Australians are excluded from a world of social interactions that are continuously evolving around a plethora of drama, comedy and romance; from a pop culture language that stems from fictional characters glorified in sweeping epics like Games of Thrones and a multitude of other popular series.

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  • ARTS AND CULTURE

    Comedy and trauma in Nanette and Funny Cow

    • Tim Kroenert
    • 01 August 2018
    1 Comment

    Hannah Gadsby's Nanette critiques comedy as an imperfect tool for processing and transcending trauma. Funny Cow, about a woman comedian in 1970s northern England, attempts something similar. Both say something about the intersection of comedy and trauma and what it reveals about how we relate to each other as human beings.

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  • ARTS AND CULTURE

    PC is reviving comedy, not killing it

    • Neve Mahoney
    • 16 May 2018
    11 Comments

    The views of Kevin 'Bloody' Wilson and Rodney Rude can be summed up in the quote: 'The soft new generation of PC-wary comedians need to grow some balls.' There seems to be a sense that comedy isn't funny nowadays unless it's offensive. But it's more than possible to create comedy that avoids this. In fact, it can be better.

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  • AUSTRALIA

    Cabinet Files comedy is Wes Anderson-worthy

    • Fatima Measham
    • 01 February 2018
    14 Comments

    Too few inversions of this power dynamic come along. So we are allowed to laugh a) that some careless handling of furniture can go a long way toward embarrassing people, and b) that those same people have expanded surveillance mechanisms and presided over lapses in data security. It schadens our freude, for sure.

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  • ARTS AND CULTURE

    Students learn where power lies

    • Tim Kroenert
    • 29 November 2017
    5 Comments

    When misused power remains unchallenged, it is the most vulnerable who suffer most. The truism finds acerbic embodiment in the Slovak-Czech black comedy The Teacher, whose setting in 1983 communist-ruled Czechoslovakia provides a historical backdrop that doubles as an analogy for any socio-political context where power can be a means to personal ends.

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  • ARTS AND CULTURE

    Woody Allen's sexist society

    • Tim Kroenert
    • 26 October 2016
    8 Comments

    Perhaps it is the high egocentricity of Woody Allen's films that makes it difficult to separate the man from his work. More so even than Roman Polanski, the allegations of sexual abuse that have been levelled at Allen in life lend an unsavoury flavour to his art. Even revisiting Annie Hall these days, Allen's classic and endlessly innovative 1977 romantic comedy is tainted retrospectively by a sneaking sense of sexism, if not outright misogyny. The same is true of Café Society.

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  • MEDIA

    2015 in review: Australia's film industry boys club

    • Rochelle Siemienowicz
    • 13 January 2016

    The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.

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