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Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
Ah, how they floated in the clouds, back before the first world war, those decent heady phrases: the common good, the living wage and how they came across the seas, those writers and professors, to study what we’d done down here.
In Friends and Rivals Brenda Niall brings together four significant Australian women writers. Between them they published works from the 1890s to the 1950s. Ethel Turner and Barbara Baynton were from NSW. Nettie Palmer and Henry Handel Richardson were from Victoria, both schooled at Presbyterian Ladies College.
Dickens was a prolific writer, and one of patchy quality: the threat of sentimentality was never far away, so that this brief work is not one of his best. But in this consumer age it is salutary to have his definition of the Christmas spirit, which is one 'of active usefulness, perseverance, cheerful discharge of duty, kindness and forbearance'.
Obituarists sharpened their quills in 2014 when word had it the death of Clive James was imminent. Since then we have witnessed a late flowering of poetry, reviews and articles tinged with mortality that revealed to the last his Twainian flair for journalistic self-promotion, albeit in the internet age. Now the quills are out in earnest.
The musicians stepped forward, heads close around one microphone. The words of the 23rd Psalm were familiar and re-cast all at once. They met us in hope and in despair in 'the middle of the air'. There was a space of yearning there; the space where artists, songwriters and psalmists send us. That is the place we can be met.
Among writers familiar in Australia who write in this vein are Michael McGirr, Terry Monagle and the much missed Brian Doyle. Their writing does not merely describe but evokes and creates a world, and shapes a human response that respects its variety and mystery. These qualities are evident in Julie Perrin's Tender.
No Friend But the Mountains deservedly won an Australian prize but was considered ineligible for others because the writer was not Australian. The book itself mocks that exclusion. Boochani's years on Manus Island branded him as Australian in the same way African slaves became American by the brand American owners burned on to them.
At Adelaide Writer's Week, George Megalogenis asked Leigh Sales who had surprised her most in the research for her book Any Ordinary Day. She replied: 'Steve Sinn, the priest. I'm not religious and I felt like we were going to have nothing in common and his way of looking at the world wouldn't make sense to me.' How wrong she was.
The American writer H. L. Mencken said the aim of politics is 'to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary'. Over the years there have been many hobgoblins of varying sizes and shapes, and this election campaign promsies to be no different.
37-48 out of 200 results.