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There are more than 200 results, only the first 200 are displayed here.
For those born in the wake of World War II, war stories seemed the greatest fun on earth. But the pity of it is monumental and we come to take it – if not for granted – then at least as part of the fabric of minds that had met with all that was terrible in human experience and all that called out for reverence.
Can a chatbot write a poem? The answer reveals something about the heart of human interaction. True connection, like true poetry, requires discomfort, vulnerability and a richness of experience that defies the simplicity of algorithms.
The rhetoric of elites / sets off his built-in shit detector. He much prefers to eat / with hookers, drunks and tax collectors.
Nam Le is one of the strangest writers in the history of Australian literature and is also one of the most incandescently brilliant — which is very weird if you bear in mind that his primary claim to legendary status is a book of short fiction published in 2008. With 36 Ways of Writing a Vietnamese Poem, Le returns with a new work that encapsulates the brilliance and complexity that fans and critics have come to expect.
Dante and Hopkins named it lavishly: Christ’s vita nuova, shared to Easter in us; Ignatius of Loyola called it: magnanimity . . . How could we then, receiving, hoard or dispense it stintingly, like Scrooge before his Christmas haunting?
The Myanmar civil war has left the country devastated. Three years since a military coup, Myanmar is a humanitarian catastrophe. With over 2.7 million people displaced, the UN reported that 18.6 million people need humanitarian aid, 6 million of whom are children. A report from our correspondent in Myanmar.
You open the atlas and run your fingers along the edges of continents, climb mountains, trace valleys, pause at coastlines of sand and wave. This is where you have been and this, fingers arched, is where you want to go. Death is too faint to be seen. Though you know it’s there, the undiscovered country.
Generosity is most heartwarming when it is a habit. We see it in people whose first inclination is to give something to a beggar, to stop and listen to a hard luck story, to think first of persons affected by war and economic crises and only secondly to policy, to welcome people into their homes and to go out of their way to help.
Since its release, audiences, critics and philosophers have grappled with Groundhog Day’s take on time and eternity. Like all great art, Groundhog Day resists easy categorisation and is a story that, in a wonderful irony, we can go to again and again.
‘The loss of memory by a nation is also a loss of its conscience.’ As the loss of conscience grows with each succeeding generation, one day righting the boat on the sea of forgetfulness will become impossible. In the end, what people don’t know, they won’t miss.
Lent is a time of asking what matters and on commitment. It is a time of grounding, on awareness of the ground and the ash on which we stand, and of focusing on what is important. That being grounded underlies the idea of humility, of being earthed with one’s bare feet on the soil.
Throughout recent decades of Australian history, the stance every government has taken on asylum seekers has reflected the shifting political landscapes and challenging humanitarian issues that have continually shaped Australia's response to those seeking refuge.
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