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Once again we’re forced to think about the ones who’ve kept us going, doctors, nurses, nurses’ aides, swallowing their fear and knowing masks, however good, can never be sufficient, those who check each other’s PPE, all suited-up as if they planned a landing on the moon.
What does it take to lose hope? For the 4,000 people who attended the anti-lockdown protests in Melbourne last month, an odd coalition of the frustrated, the scared, the angry and the hurt, it takes 18 months of pain and the ensuing changes in employment status, isolation from family and friends, and losses in lifestyle and individual liberties.
In recent weeks the value of human life has become a topic of public conversation in different contexts. Proposed legislation on abortion and assisted dying has continued to focus attention on it. Debate about loosening COVID restrictions has also balanced the risk of death from the disease with risks to health and economic welfare from lockdowns. In Afghanistan the victory of the Taliban has again raised questions about the morality of the war and the killing involved by both sides.
Stopped at two stones, I languish beneath this vault tarnished with heaven. The tangle of these paths are in possession of my blindness. Nothing is more squalid than my monotony.
From my third-floor hotel balcony I could reach out almost to touch the mountain. It seems such a good neighbour. When I walk out by the Li River, the mountain follows me, shadowing my footsteps. I watch the river-boats working their ways across the current towards night-moorings, the fisherman homeward-bound with his cormorants.
When you put rising housing costs alongside stagnating wages, an alarming trend in normalising insecure work, persistent unemployment and underemployment, and statutory incomes that are going backwards in real terms, there’s good reason to be deeply worried about an increase in homelessness.
I'm standing before the portrait of a woman with closed eyes, her hands delicately cupping, almost, her tilted head. In her face, in her composure, a flower-like serenity that speaks of care, reverence.
I was at university when I first heard of the so-called death of the novel, and was frightened by the thought. But I’ve since heard the phrase many times during the ensuing decades, and am cheered by the fact that so far the novel has clung to life, albeit precariously, while novelists persist in writing, despite the many drawbacks attendant upon the practice.
The green of your garden. A white box. Hive of bees. The colour of you.
The atrocities committed in the Taliban siege of Mazar-i-Sharif in the late 1990s have not been forgotten. Nevertheless, the ‘progress’ brought by the invading forces — after twenty years’ hard fighting against the forces which they themselves had previously armed and trained against the Soviets — is equally debatable.
Father’s hands of finer metal. Chisel, bandsaw, axe and mallet. Bone on wire and flesh on steel. He wore your scars and jabs and cuts. Your friction burns by grinding wheel.
You only have a road before you. It looks as if it has no end, stark, like the country it weaves through. It is beautiful like that. It should not matter to you, whether or not it has an end.
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