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There are more than 200 results, only the first 200 are displayed here.
Of the notorious Australian low-budget genre films of the 1970s and 1980s, few would feature 'social commentary' as a selling point. But then, few have the distinction of being based on a Peter Carey short story.
'New Wave' Australian films of the '70s and '80s, such as Picnic at Hanging Rock and Breaker Morant, wooed audiences and critics. This weekend, four films that few Australians have seen will vie for top honours at the 2008 Australian Film Institute Awards.
Brian De Palma's Redacted took as its grim inspiration the true account of the rape and murder of a 15-year-old Iraqi girl, and the murder of her family, by a wayward group of US troops in 2006. It plays pretty fast and loose with the facts.
There are no soothing words to truly quieten deep pain, but Fugitive Pieces shows redemption is a possibility, even in the face of undying memories.
SBS television has been called many things, including the 'sexual broadcasting service', because of the risqué foreign language films that it shows. SBS radio is the ultimate melting pot, a symbol of an inclusive Australian multiculturalism in which different languages and cultures are respected.
Two people embrace on a verandah. The camera pulls back to disclose a housing estate, with couples embracing on each verandah. Relativism works like the move from close-up to broad perspective in film, by seeming to deflate the significance of what we have just seen.
The characters provide a microcosm of Australia as a fledgling federation. Most poignant is the place of the film's sole Aboriginal character, a gifted pugilist who is ultimately subservient to the purposes of the white characters.
The previous films of director Michael Haneke depict a media-saturated society disconnected from reality. His latest release is a critique of 'violence as entertainment', and every audience member is implicated.
In 1932, Todd Browning's Freaks sought to unsettle with the 'otherness' of its circus sideshow performer characters. A modern-day festival of films by and about people with disability emhasises not otherness, but humanity.
During the 1970s, Australian cinema experienced what many now regard as its golden age. Who were the maverick filmmakers gleefully scuffing up the flipside of that glittering coin, and why does Phillip Adams despise them so?
One was shot on location in Pakistan by an amateur Sydney filmmaker. The other is a cartoon made by an Iranian expatriate about life in Tehran. What do such different films have to tell us about humanity in the Middle East?
What happens when a renegade architect goes head to head with the US government in an effort to gain permission to build houses out of garbage?
169-180 out of 200 results.