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There are more than 200 results, only the first 200 are displayed here.
The publicity poster for Beautiful Kate is as ambiguous as the controversial Bill Henson photographs it so blatantly references. The film unpacks these ambiguities, not solving but exacerbating them and making them sing with empathy.
The boys of Lebanon have found a niche in Aussie pop culture. Several recent films deal with Arab-Australians as the 'other', examining the extent of their assimilation, the codes they live by, and their functions within a 'tolerant' society.
Controversry over the documentary Stolen at this month's Sydney Film Festival underlined how difficult it is to even acknowledge that slavery exists. Suppression of information about slavery in Australia allows the slave trade to continue.
I only met Bud Tingwell once. Like so many others, I went away the better for the brief encounter. But the meeting also led me to ask questions about what matters, and how we should nurture it in Australian society.
What is a synecdoche? Work that out and you're part of the way to understanding this brilliant if convoluted opus. Suffice it to say that Caden Cotard, the bloated, self-loathing man who presides over the corrupted world at the film's heart, may in fact be God.
The narrator of Philip Roth's novella The Dying Animal is self-indulgent, narcissistic, and driven by the urge to sexually conquer. The film Elegy transposes Roth's log of masculine decline into a mournful lament for the dead.
The filmmakers interviewed numerous asylum seeker advocates. Most were women, advocating on behalf of young men. Their relationships were intense and complex.
Manny, terrified and bewildered, clutches a crucifix and prays, while lawyers spew jargon-laden bile at one another. It might seem strange to invoke a Hitchcock film at Easter, but we can see a similar horror at work in the trial of Jesus.
Mary is a socially awkward adolescent, growing up in 1970s suburban Melbourne. Her penpal Max is a lonely New Yorker, a chronic overeater with Asperger's. Adam Elliot's films are not just about difference. They are about justice.
Today's commentators seem determined to speak about anything but the cricket — their lunches, last night's frivolities, films, politics and, most of all, themselves. Much more than the Australian players, Test cricket commentators are in crisis.
Australia Day comes this year shortly after Obama's entry into the White House. Like the child in Australia — a film that captures something of the mixed history of our Australian footprint — Obama embodies the possibility of healing across racial and other divides.
Having grown up an orphan in a Mumbai slum, Jamal is an unlikely candidate for Who Wants To Be A Millionaire. A sense of the divine pervades the film, but while Jamal seems destined for good fortune, his brother Salim diverges towards corruption.
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