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The Christian Brothers have made efforts to atone for cases of child abuse that occurred in their institutions. That Oranges and Sunshine condemns them universally is due less to malice than to the fact that the filmmaker's sympathies sit squarely with the victims.
First he built a church, an act of penance and a bribe to God. Next came 40 years in self imposed isolation. Neither act could replace the course he needed to take: to confess and accept responsibility; the only true salve for guilt.
Pavel's meanderings are soundtracked by rock music blaring through his earphones. Increasingly the iPod seems to symbolise some nonchalant skein that isolates self-centred youths from the world around them.
Some advocates of monarchy have jumped on the film The King's Speech as evidence that Australia needs a monarch. Monarchists often argue like this when they want to personalise the constitutional debate by concentrating on a member of the Royal family with attractive features.
Facebook founder Mark Zuckerberg is reportedly displeased with the film. The decay of his friendship with co-founder Eduardo Savarin during the creation of a site predicated on accumulating 'friends' is the film's greatest irony, and greatest tragedy.
What do young Australians take away from John Marsden's novels - and now, the film Tomorrow, When the War Began? They are more than escapist fantasies. They convey value messages, calling on young Australians to cherish our country, not to take it for granted, and to be prepared if necessary to kill and die for it.
'Anyone watching this saying it in some way supports or encourages violence is watching the film in a very perverse way.' UK filmmaker Michael Winterbottom has a point, but one must wonder what scenes of brutal violence against women contribute to the betterment of the public imagination.
Aaron initially rationalises his sexuality as a test from God, a test that priveleges him, as it gives him an opportunity to prove his resilience. Ultimately his affair with a younger man is rather more serious than simply a rebellion against an oppressive ultra-orthodox society.
The decision by a Swiss judge not to extradite film director Roman Polanski to the US has again triggered the debate about how artists are treated by the law. The case has been running simultaneously to that of Russian musician. The parallels are striking.
Sydney filmmaker Claire McCarthy spent two months working among Mother Teresa's Missionaries of Charity in Calcutta. Like many Westerners with egalitarian pretensions, the characters in her film The Waiting City arrive in India bearing a tourist's naivety.
War films tread a fine line if they are to respect the experiences of soldiers without glorifying war. Beneath Hill 60 is the true story of Australian miner-soldiers tasked with tunnelling beneath the front lines during World War I. It is not unkind to the Anzac myths.
From the moment of Malik's imprisonment he finds that if he is to survive, he needs to choose between conflicting evils. His Muslim roots appear from time to time, but while these moments lend transcendence to the film, they give no moral credence to Malik's actions.
133-144 out of 200 results.