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There are more than 200 results, only the first 200 are displayed here.
Conforming and belonging to a genre, in this case, ‘post-colonial, outback noir eco-fiction’, does not mean that a novel is not worthy. With rich symbolism and lyrical prose, Hills challenges readers to confront uncomfortable truths about Australian history, land ownership, and the inescapable consequences of past actions.
Lewis Lapham's work was a rigorous autopsy of American culture, exposing the chasm between our pretensions and our realities. With a historian’s depth and a satirist’s wit, he illuminated the follies that sustain our collective delusions.
For a long time now, John Grisham has been part of the air we breathe. He's one of those writers who’s all things to all people. His latest Camino books are books about books; a form of meta crime writing and you have to admire the move on the chessboard they represent. Can John Grisham be self-reflexive?
I’m not sure if it’s age, personal experience or the way the world has changed but some favourite authors no longer have the same attraction they did 30 years ago. To the extent where I find that some of my favourite books now belong to a past self.
What's the appeal in Australian noir crime fiction? The genre has always been popular in Australia, and Australian writers of crime fiction have always had plenty of material to draw on. Led by authors like Garry Disher and Jane Harper, it has experienced something of a renaissance during the last decade.
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Les Murray once confessed it was his mission to 'irritate the hell out of the eloquent who would oppress my people,' by being a paradox that their categories can’t assimilate: the Subhuman Redneck who writes poems. And therein lies the ‘poem’ of Les Murray: complex, contradictory, sublime, and sometimes ready to whip his enemies with a scorpion’s tail.
Freud’s Last Session pits the famous psychoanalyst Sigmund Freud against Christian apologist and author C.S. Lewis, a powerful concept, given the sheer cultural heft of the two historical figures.
Nam Le is one of the strangest writers in the history of Australian literature and is also one of the most incandescently brilliant — which is very weird if you bear in mind that his primary claim to legendary status is a book of short fiction published in 2008. With 36 Ways of Writing a Vietnamese Poem, Le returns with a new work that encapsulates the brilliance and complexity that fans and critics have come to expect.
Featuring a stellar cast of Hollywood’s finest actors, Apple TV's Extrapolations was a bold attempt to center a TV narrative around the dangers of our future on a warming planet, yet failed to capture audiences. But where Extrapolations failed as an effective cautionary tale for society, it may have succeeded as one for filmmakers.
Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
Since its release, audiences, critics and philosophers have grappled with Groundhog Day’s take on time and eternity. Like all great art, Groundhog Day resists easy categorisation and is a story that, in a wonderful irony, we can go to again and again.
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