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The exhibition stands as a celebration of the work of Xiao Lu and her contemporaries, who continue to clothe their lived experiences in images, acts and utterances, and in so doing communicate with others about the state of their lives as women and artists, their society and their nation.
The Five Quintets is a long, conversational poem of almost 350 pages. In an age that focuses on detail, its topic is vast: the nature of Western modernity and its future. In a secular age its perspective is unobtrusively but deeply religious. It is therefore unlikely to make the best-sellers list. But it is an important and rewarding work.
The world sat gripped as Rahaf al-Qunun live-tweeted her mad dash to freedom, then cheered when photos of her being escorted from Bangkok's Suvarnabhumi airport by UN workers emerged. Hakeem al-Araibi has not been so lucky. His current nightmare is emblematic of the bureaucratic mess forced on refugees worldwide.
Simon Birmingham's recent vetoing of 11 humanities research projects is a good example of cultural cringe's transmutation into populist philistinism. Scientific research projects are often more opaque to the uninitiated than humanities projects but are usually safe from ignorant criticism because their importance is assumed.
A commentator recently described most politicians as being professional liars, and it can be argued that they tend to deceive themselves as well. Many can be compared with Heart of Darkness's Kurtz, who hid 'in the magnificent folds of his eloquence the barren darkness of his heart'.
Birmingham's intervention, and Tehan's consolidation of that ill-exercised discretion, suggests Australian Research Council funding will be politicised by executive veto. Expertise will be subordinated to the whimsy of the education minister of the day; researchers will be pondering how to shape their applications accordingly.
Some creative choices see Bohemian Rhapsody veer from fairytale to fake news. Displacing 'Fat Bottomed Girls' allows the filmmakers to write out the exploitative publicity stunt for that song. By skipping The Works tour, they can conveniently ignore how the band flouted the UN's cultural boycott against apartheid era South Africa.
Are we clever enough in Australia to reduce the inequity in our schooling in order to help our moderate voters develop a strong narrative of sensible sharing to shape our future? Or, will the inequities in our schools contribute to ever-deepening divisions?
Here on pristine Tamborine, the rainforest became the haunt of avian ventriloquists, birds more often heard than seen, whose raised tail plumes would simulate the contours of an ancient lyre, companion to the poet's voice when Sappho lent words to desire in lyrics of such eloquence that hearts of listeners caught fire.
As a result of existing funding regimes the value of human beings and of human creativity comes to be identified with their social function. People are valued for their economic output, and artistic works for the size of their audience or their critical reception. No space is left for recognising any inherent value that cannot be measured.
Catholics gathered in the wake of a time of great hardship, and in Christ's name sought the common good. Aware of continuity with the Apostles, the bishops recognised that the church changed through history. It was both progressive and conservative in parts, but not regressive.
When the law and the media do their job competently, we can work together to ensure that children are safe and that initiatives such as the national redress scheme deliver truth, justice and healing for all. Once they join a populist movement without regard to the important role they play in ensuring that truth and justice are done, all society is in trouble.
145-156 out of 200 results.