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The capacity to story our experience is a powerful tool for reflection and understanding. As adults we learn that no story is pure and we are capable of telling ourselves spin, but the shaping of experience into story is the bread and butter of our lives. Narrative, it has been said, is a primary act of mind.
I have been going back to street photographs I took before coronavirus struck. Hundreds of images taken in London, Liverpool, Bangor, Abuja, Canterbury, Mararaba, Birmingham, Erith, and many other places. With each photograph comes an inevitable urge to reminisce.
Our neighbor Sam is in his mid-seventies. He takes things quietly, enjoys a chat where our two gardens converge at a corner of the lambing paddock that unfolds beyond our shared wire fence and, regularly in summer, Sam is partial to a few cooling drinks.
Government attitudes towards universities, the humanities and the arts, are often a strange mixture of ignorance, blindness and misplaced priorities. It is almost as if their graduates fail to match the image of what the government would prefer Australians to be.
It turns out that the COVID-19 economic crisis is disproportionately affecting women — so much so that some have dubbed it a ‘pink-collar recession’. Unemployment figures show that since February, 457,517 women have lost their jobs compared to 380,737 men.
People ask why it took the death of George Floyd to make so many Australians stand up. His experience mirrored that of so many Aboriginal people who have died while in custody. His dying words ‘I can’t breathe’ echo through our hearts, because this isn’t the first time a Bla(c)k man has uttered those words while being brutally arrested for a crime most white people would get a slap on the wrist for.
I have been with friends and lovers and have seen them in difficult times, emotionally and physically. The same way people have seen me in distress, seen me cry. But I never saw my dad in tears; not as a kid growing up, nor much later as a young adult.
Possibly the thing I have missed the most is Melbourne's live music scene. The removal of being able to go to a venue and admire the sheer volume of talent this city produces — not to mention the talent we also get in from other states and territories — has hit me hard.
The arts and entertainment industry requires a sector-specific bailout created in consultation with a broad cross-section of arts professionals that considers measures for both the shut down and rebuilding. The reality is it cannot simply start up again once lockdown measures lift without support.
The opacity of the Australian public service, and its disposition to secrecy, has left journalists in a bind. Leaks constitute the oxygen of the secret state, but publishing that material remains a dangerous affair.
It’s a stressful and anxious time for many people. Yet, the expression to ‘look for the helpers’ whenever a crisis occurs is an apt one in this situation. People are looking for social connectivity and ways to express kindness to others in practising social distancing under direction of medical experts.
97-108 out of 200 results.