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There are more than 200 results, only the first 200 are displayed here.
As the Booker Prize winner is announced, the perennial questions resurface: What does winning truly mean for writers — and for readers? As public values shift, literary prizes ignite fierce debate about artistic merit, cultural relevance, and the commercial impact of awards. Can a prize still shape the future of fiction?
Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
In Juice, Tim Winton crafts a haunting world where climate apocalypse and moral ambiguity collide. This monolithic novel depicts a dystopian future scarred by climate change, with Winton’s intricate prose showcasing his mastery and leaving readers to grapple with its fierce ethical landscape.
War breeds division far beyond the battlefield, fueling hatred and resentment across societies, and the conflict in Gaza has reignited long-standing animosities. As Yom Kippur approaches, its themes of repentance and forgiveness urge us to recognize the humanity in both the victims and perpetrators of conflict.
People visit graves and castles, libraries and mansions, battlefields and places of historical significance to feel a little of the lives of others, to pay homage, to make that human connection. We make secular pilgrimages to places that we have dreamt about or read in books or seen on screen. Wherever we go, these are ultimately visits to places within.
As the discourse surrounding religious freedom in Australia becomes increasingly contentious, especially in the context of schooling, we must address the growing perception that holding religious beliefs and values — and making choices based on them — is somehow discriminatory or at odds with modern society.
Emma's story offers an unflinching glimpse into the brutality of colonial Australia. While it’s worth celebrating the undeniable social progress made since Emma braved the voyage to Australia, we must resist the temptation to see our history of violence as consigned to the past.
As far as religion goes, Plans for Your Good is right out there, with a bible quote for every decision in the life of a prime minister. But Morrison never notices any arguments against the existence of God or explains why he believes. Everything in life confirms what he believes already.
It’s easy, isn’t it – much too easy – to invoke the standard response that only in the so-called Land of the Free could these things transpire. A vulgar, mendacious man who has refused to believe that he lost the last election is now the improbable victim of an assassination attempt. And the incumbent president, who has not done badly at his impossible job, surrenders his chance at re-election.
Recognition is not simply an acceptance of facts. It involves also entering the experience of the people affected. Reconciliation must begin with truth telling, flow into empathy, and be followed by a conversation aimed at building decent relationships.
The world of Fargo, like ours, is a fallen one, and it’s clear at the end of this season that the cycle of violence will continue. But we’re also left with a strong hope that some of the characters might have found a way out of that hellish cycle of debt and restitution. And if there’s hope for them, there’s hope for us all.
In contrast to the United States, we in Australia ‘don’t do God’, and we rarely acknowledge the religious dimension of our national identity. In an age of declining adherence to the Christian faith, has Australia found a new civil religion? And will it serve us well?
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