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This week's offering from Eureka Street's award winning political cartoonist.
Honestly, I could talk all day about how growing up with Rudd/Gillard/Rudd followed by Abbott/Turnbull turned a generation away from politics. I could talk even longer about how seeing (mostly) white, (mostly) male politicians is its own form of alienation. But if I'm going to be the possible swing vote, the homogenous 'youth vote', I'm going to make it count. I know that I can't afford to disconnect; if for nothing else, I need to vote for the people who can't.
Sadly, the major political parties have forfeited any claim to govern in their own right because they have caused such disillusionment among so many voters about other policy issues with strong moral overtones. Any voter impressed with Pope Francis' encyclical Laudato Si' or inspired by his visits to asylum seekers on the islands of Lampedusa and Lesbos could not blithely vote for either of the major parties, without first determining how to place some continuing political and moral pressure on them.
Socialite and amateur operatic soprano Marguerite cuts an intriguing and tragic figure, devoted to her craft but oblivious to her lack of talent. Yet the joy she gains from believing she is a great singer doesn't depend on the reality or otherwise of that belief. Is it right or wrong for those who care for her to allow her to continue in her delusion? The question echoes the concept of a life-lie, invoked by Henrik Ibsen to argue that human beings are sometimes better off living in at least partial ignorance of reality.
The idea that these laws are, as Twomey writes, 'more conducive to representing the genuine choice of the people in electing their Senate' is untrue. It is a view expressed by Greens leader Senator Richard Di Natale, who suggested 'the Senate that's delivered after the next election is the one people vote for'. What these voting reforms actually serve to do is give the false impression of eliminating manipulation while diluting Australia's political base in favour of monochrome party politics.
The government, the Greens, and Senator Nick Xenophon want to keep the debate about electoral justice as narrow as possible because they are offering some technical improvements. But they shouldn't be allowed to rush their reforms, which must be separated from the idea of a double dissolution election driven by a determination to cut short the terms of sitting micro-party senators. The anti-major party feeling among a significant minority of voters cannot just be condemned as mere populism.
The aftershocks of the late-century push for liberalisation and the GFC have bred generations of dislocated voters who seek answers outside of the limited solutions of centrist governance. This provides ample opportunity for true progressive change, as seen in Europe and Latin America, and now the US and UK. Where's Australia? Nowhere to be seen. It is hard to imagine a truly progressive candidate emerging from our ossified political structures. There are a few reasons for this.
The formative experiences of Australian early boomers include unprecedented access to university education and health care, immersion in feminist discourse, Aboriginal land rights campaigns, environmental activism, LGBT movements and pacifism. Quite remarkably, it mirrors some of the elements that engage millennials. While in some ways anti-boomer sentiment seems well placed, what it misses is that on social issues a 21-year-old might have more in common with a 61-year-old than a 71-year-old.
We can assume that despite the recent Synod's focus on families, most of the voters have never had any involvement in raising families, and certainly not of experiencing pregnancy and childbirth. None have directly dealt with an abusive spouse, struggled to regulate family size, questioned whether to stay in an unhappy marriage, or dealt with a child identifying as gay, lesbian or transgender. Last year, I spent time working in a parish in Paraguay, where, unlike the church more broadly, women run the show.
View this week's offering from Eureka Street's award winning political cartoonist.
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