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This week is the fortieth anniversary of the death of Ita Ford and Maura Clarke in El Salvador. An event distant in place and time, but worth remembering and honouring in its distance. And also worth reflecting on for its significance for our own time.
The Australian community and its government are struggling to come to terms with the extremely serious allegations against members of the SAS for their alleged criminal misconduct during the war in Afghanistan. At the same time, we Catholics are experiencing a bad case of déjà as there are many echoes of how we felt when the Royal Commission into Institutional Responses to Child Sexual Abuse (RC) began in 2013.
The discussion in Australia as to how such atrocities are to be approached is telling. The call for responsibility has varied by degrees. Most tend to some variant of the rotten apple theory: a few particularly fruits that may be isolated and extruded from the barrel. Culpability can thereby be confined, preserving the integrity of other military personnel and, importantly, political decision makers.
In measures now sadly familiar in 2020, theatres were closed once the number of weekly deaths exceeded 30, later 40, but because actors and the theatre world itself were so economically vulnerable, actors, understandably intent on earning a living, soon legally or otherwise cut themselves some slack by taking liberties with the rules governing performances and quarantine — again, a phenomenon that is now, against all previous odds, familiar to people of 2020.
If society were a mine, refugees would be the canaries in it. Their condition reveals whether the currents of public air are pure or toxic. By that standard the present currents in Australia are noxious. They mark a change from the first generous response to the coronavirus to the meaner reconstruction of the economy.
Social media, while a blessing, has also become a curse for survivors in Pakistan. The platforms are widely used by survivors to share their stories of sexual harassment, molestation or rape. It also gives users a chance to comment and provide leeway for the perpetrator.
Tall Fences, Taller Trees, directed by Dutch-based Iranian filmmaker, Arash Kamali Sarvestani, is a companion to Chauka, Please Tell Us the Time, which Sarvestani co-directed with Kurdish-Iranian writer and Manus Island detainee, Behrouz Boochani. On its most basic level Tall Fences, Taller Trees documents the making of the first film, but it is far more than that.
The havoc COVID-19 has wreaked on our economy has been less damaging than for some other countries. While international comparisons may help us feel better about our circumstances, the reality is that Australia’s economy is in trouble and will need more than economic first aid through measures like JobKeeper to get us back on track to recovery.
My mother informs me, over the telephone, that she has just returned from a trial run of her inaugural ‘live-cam’ tour at the local Hindu temple in Kuala Lumpur. My niece, who lives in England, is learning about Hinduism in her Religious Education class and would love to show her classmates a live, on-site presentation of her grandmother’s temple.
157-168 out of 200 results.