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Ben Jonson is one of the great English Renaissance playwrights but he can also be challenging for the modern reader. When I first came to Jonson some years ago, I attempted a comedy from 1610, The Alchemist. I soon felt out of my depth. Conceding defeat, I put the book aside and told myself that there would be some ‘other time’. This year in Melbourne, with the theatres closed, the streets largely deserted, and travel restrictions firmly in place, that ‘other time’ arrived.
One of the challenges facing churches today has to do with tradition. Tradition is a sometimes charged word, but it refers to an everyday social need. It has to do with how a community passes on its way of life and its understanding of authoritative writings that shape it. The word itself can refer both to what is passed on and to the process of passing it on. The challenge of passing on a tradition is perennial. Both ways of living and writings reflect the culture of their own time and so need to be translated into the changing languages of later cultures.
Eureka Street was named Publication of the Year at the 2021 Australasian Religious Press Association Awards, with the judges citing its 'authenticity of voice and fidelity to the Gospel'. They said Eureka Street was 'grounded in the social teachings of the Catholic Church, it addresses issues both national and international, and gives readers access to some of Australia's best public intellectuals.'
I was at university when I first heard of the so-called death of the novel, and was frightened by the thought. But I’ve since heard the phrase many times during the ensuing decades, and am cheered by the fact that so far the novel has clung to life, albeit precariously, while novelists persist in writing, despite the many drawbacks attendant upon the practice.
It is refreshing to find a work that is exploratory and invites its readers into a world more complex than they had imagined. Such a work is a recent book by Peter Dowling, Fatal Contact: How Epidemics Nearly Wiped Out Australia’s First Peoples.
While we can’t conflate accusations against Roth’s biographer with his subject, this recent Blake Bailey scandal invites us to revisit, through a 21st century lens, the world of someone considered one of the definitive writers of the 20th century.
Last Thursday, Facebook blocked news content in Australia. Many of us had been expecting this in response to the News Media and Digital Platforms Mandatory Bargaining Code. But the breadth and severity of what occurred was brutal. The content blocked was not only that of large media companies. Public interest, not-for-profit, and religious media — many of whom rely heavily on Facebook to share messages with their readers — were blocked as well.
A recent report from Jesuit Social Services’ Support after Suicide program reflects on the experience of people who have accompanied a friend or family member before, through and after their suicide. At the heart of the report is its insistence on the importance of the human face in health care.
Our neighbor Sam is in his mid-seventies. He takes things quietly, enjoys a chat where our two gardens converge at a corner of the lambing paddock that unfolds beyond our shared wire fence and, regularly in summer, Sam is partial to a few cooling drinks.
Daddy Cool is a thoroughly absorbing biography, witty, astonishing, often intensely moving, effortlessly in charge of a crowded and potentially confusing canvas (readers of a certain age will recognise names like Jack Davey, Roy Rene, Dick Bentley, Willie Fennell).
At the fringes of the legal system, there are areas of work you probably won’t read about in law school career guides. Many of these deal in trauma or poverty. They are substantial, but they aren’t celebrated or pursued by the mainstream of the profession. They generally attract neither money nor prestige, and in many cases the ‘market’ fails to provide paid jobs of any sort, irrespective of need.
Senator Matthew Canavan made his long awaited, if predictable, announcement: Australia’s long lived intermediate radioactive waste will be stored, and the low level waste deposited, at the Napandee site in the Kimba region of South Australia. It still came as a jolt to most of the farmers and others rightly fearful of the plan to host nuclear waste which even the government now admits will remain toxic for an unimaginable 10,000 years.
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