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There are more than 200 results, only the first 200 are displayed here.
There’s this other place that is neither heaven nor earth but which you might find in the car park of the third busiest KFC in Melbourne, waiting for your son to finish his shift. A bin beside the car is overflowing with all the packaging that comes with fast food, not to mention the remains of poor dead chooks whose life it is hard to imagine.
Michelle de Kretser's new book Theory and Practice is a creative combination of fiction and essay, and concerns the moment in which the encounter with literature, a connection with another human imagination, is replaced by something called 'Theory'.
As the Booker Prize winner is announced, the perennial questions resurface: What does winning truly mean for writers — and for readers? As public values shift, literary prizes ignite fierce debate about artistic merit, cultural relevance, and the commercial impact of awards. Can a prize still shape the future of fiction?
Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
The story of Race Mathews’ career will be an antidote to despair about politics and politicians. It underlines the possibilities of politics, showing how it can be more than a job or a career. It can be a calling to imagine a more just society and ways of building it.
In Juice, Tim Winton crafts a haunting world where climate apocalypse and moral ambiguity collide. This monolithic novel depicts a dystopian future scarred by climate change, with Winton’s intricate prose showcasing his mastery and leaving readers to grapple with its fierce ethical landscape.
If only those who send their nation’s youth to war would read Muse of Fire, World War I as seen Through the Lives of the Soldier Poets. It is both homage and horror story. It carries the reader across several fronts – the disparate journeys that led these men to the killing fields of Europe, the blood-soaked chrysalis from which the words of the war poets arose.
The End of the Morning provides a rich reading experience, showing the reader an Australia that has been largely lost. But most readers will have a sense of dissatisfaction: they will want more. An unfinished novel, and an unfinished life.
Good poetry stops us in our tracks, visited as we are by whatever it is that has stopped the poet in his tracks. This agency may properly be, as in Walcott's case, something stemming from cultural marginality, from a fascination with the dramatic, from an equipoise between the lyrical and the epical, or from the interweaving of all these. (From the Eureka Street archives)
The term 'reform' carries an ambiguous weight. It can signify progress but just as often masks harmful change. Paul Tilley’s Mixed Fortunes explores the messy evolution of Australia's tax system, revealing how reforms, far from delivering clarity or fairness, reflect deeper ideological struggles over power and economy.
In a world driven by profit and speed, poetry stands as a quiet rebellion. It honours and explores what is distinctive about human beings – communication through words. And if we dismiss as a waste of time the slower rhythms involved in the writing and reading of poetry, we are likely to discover how time spent unreflectively wastes us.
Conforming and belonging to a genre, in this case, ‘post-colonial, outback noir eco-fiction’, does not mean that a novel is not worthy. With rich symbolism and lyrical prose, Hills challenges readers to confront uncomfortable truths about Australian history, land ownership, and the inescapable consequences of past actions.
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