Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
Wadjda is innately political. It is the first feature shot entirely in Saudi Arabia and the first to be made by a female Saudi director, and concerns itself with the pressures women experience in this rigidly patriarchal society. But it is primarily a film not about politics but about humanity. Its characters find self-empowerment and connection not in rabble-rousing but in small acts of rebellion against oppressive social norms.
A psychologically scarred war veteran struts about dressed as James Brown. An annual 'rocket' festival sees men celebrate explosives, in a country riddled with unspent American bombs. And a ten-year-old boy, who is accused by his grandmother of being a bad luck charm, sets out to prove that he is not to blame for the tragedies his family has endured.
For the past three years video consultant Peter Kirkwood has produced a fortnightly series featuring some of the world's leading figures of faith and spirituality. We take a look back at some of his best Eureka Street TV interviews, including Hans Kung, Anwar Ibrahim, Peter Kennedy and more.
It has never seemed just an accident that John Lennon and Paul McCartney first met at a church fete. The broad message of Christianity is at the very front of the lyric concerns of the Beatles, even if Christianity itself is rarely acknowledged. In art and belief, they were never interested in experimentation for its own sake but in how to make something new out of something old.
Walk in one direction and you meet a photograph of a dog humping a naked man. Turn a corner and there is a long row of plaster-cast vaginas. In one place a mummified cat's head. Shock is not new in art, but it loses its transgressive power when pursued for its own sake.
Shay has escaped from her abusive stepfather into a life of prostitution. Holly has accumulated wealth as a high-class call girl. Their work is more dangerous than either had imagined. For them, if there is a God, he simply watches, rather than watching over.
'The failure of the Rudd and Gillard administrations', said Paul Keating last week, 'is the lack of an over-arching story.' Eureka Street poetry editor Philip Harvey believes poets have a role in articulating a sense of meaning and direction that is lacking in politics and the media.
The Tsunami is recreated in spectacular fashion, but robbed of significance, except as a catalyst for one white-skinned European tourist, who survives despite the deaths of hundreds of thousands of brown-skinned Indonesian villagers. This is exploitative in the extreme.
May I tell you about one refugee whom I met during the 20 years I lived and worked JRS? The story has no happy outcome, indeed far from it. But it may help to communicate some of the feelings that inspire many who accompany the refugees.
13-24 out of 34 results.