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Tony Thornton, former National President of the St Vincent de Paul Society in Australia, was a great lover of humanity and fighter for social justice. The persistence of poverty and homelessness in prosperous Australia affected him deeply. He was never willing to accept a status quo that included the wholesale rejection of people who were made to feel the sharp edge of inequality.
Because football and other large sports are an image of life, they are safe spaces in which loss is never final and youth is never lost. But occasionally, as in the death of Philip Hughes and Phil Walsh, real life breaks into the image. Death and horror have to be grappled with.
'Frank points out that the Church cannot credibly proclaim a message of social justice in a pluralist democracy when its own processes fall short of ordinary community standards of justice. It needs to turn its teaching about human rights and human dignity back on itself, the Church, insisting on due process within the life of the Church community.' Bishop William Morris helps launch Frank Brennan's new book Amplifying That Still, Small Voice.
Is this the Budget you have when you're not having a Budget? The most remarkable thing about this Budget, in contrast with Prime Minister Abbott's promise of a fair Budget, is that so much of it relies on the re-election of a Coalition Government in 2016. Is it fair to make vulnerable Australians wait that long?
Nathan has been able to refine Ava's software thanks to his unmitigated access to internet users' search data, as well as to their telecommunications. Caleb, too, wonders if his attraction to Ava is due to her design being based on a review of his internet pornography profile. It is no coincidence that Ava replicates an idealised version of the female form. Nathan's and even Caleb's relationship to her is fundamentally exploitative and voyeuristic.
Australian references to 'boat people' is simplistic and offensive. 'Queue jumper' inaccurate and moralising. Even the term 'asylum seeker' has become politically complicit. European coverage of this week's Mediterranean boat tragedy describes the victims and survivors simply as 'migrants', which is an open description of a person on a boat crossing borders.
Vera, a latecomer to the gathering, interjects. She has worked as a nurse, has had her hands warmed by the blood of the maimed and the soon-to-be-dead of both sides of the conflict. She has lost loved ones, too — a brother, a friend, a fiancé — and the grief of their loss will be with her always. But how can violent conflict ever be truly redeemed through the trauma of more violent conflict? The German soldiers who died in the war left behind loved ones, too.
The manner in which Hugh drugs and binds Jay has strong overtones of 'date rape'. More than this, though, there is inherent violence in his having had sex with her at all, knowing that her consent hinged on her ignorance of the real consequences. Now, to be fair, there are men in the film who suffer, too. But the objectification of women by the male gaze and the predatory dynamic this entails is too pervasive to ignore.
Some of the Australian commentary on the Indonesian justice system has been understandably very critical. But living here in the USA for a year, I have come to realise that the death penalty infects every justice system no matter how good and robust it is. In the end, the death penalty is always political. That’s why I am very grateful to Pope John Paul II who changed his position.
The emotional parades welcoming troops home from the end of 'Operation Slipper' in Afghanistan leave us contemplating the horrific effects of war on veterans and their families. It is absolutely right, indeed imperative, that we grieve with them and count the costs. In doing so, however, we should beware the danger of selective empathy.
Abel's life is pointedly contrasted with Peter's, a young truck driver who has been the victim of several violent assaults on the job. Peter idolises Abel, for whom the Dream has apparently come true — if Abel can make it, so too can Peter. The problem is that Abel's Dream stands on the backs of ordinary workers like Peter. Peter is a tragic antihero coming to learn that for many, the Dream will remain just that.
WOMAD – World of Music, Arts & Dance – and Adelaide go together in a portmanteau. Amidst the dirt, dust and crowds are moments of connection, transcendence and bliss. The magic happens for all of us in the park: the hippies and the yuppies, the artists and the vollies, the babies and the bats, in different ways and at unexpected times. This four day glimpse of the world as it could be sustains my own soul for a year.
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