Keywords: Horror
There are more than 200 results, only the first 200 are displayed here.
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ARTS AND CULTURE
- Tim Kroenert
- 24 March 2016
5 Comments
With more than 30 dead in Brussels just a few short months after the horrors in Paris, the Western world again confronts an assailant in ISIS who deals in fear and bloodshed. In contemplating our responses to such attacks we recognise the historical and current geopolitical realities that have bred the ideologies that fuel them. This messiness is the stuff of a new British film that arrives in Australia this week, which explores the plight of those who might be 'collateral damage' in the hyper-technological 'war on terror'.
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MEDIA
- David James
- 16 March 2016
7 Comments
Most spin doctors are either former journalists, who have personal experience in how the industry works. If a story appears in the media, it is more often than not because some spin merchants want it to be there. Happily, there are exceptions. Gold Walkley winner Adele Ferguson did a brilliant exposé of the insurance industry that was definitely not on any spin doctor's agenda. Indeed it was a demonstration that spin has its limitations if the journalist is skilled enough to get beyond the wall.
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AUSTRALIA
- Paul Coghlan
- 07 March 2016
42 Comments
'It was a sad story and it wasn't of much interest to me.' Pell's brutal response to a question from the royal commission has provided an important point of organisational, personal and cultural reflection. As a survivor of child sexual abuse I understand the disbelief, shock and outrage that such a comment has provoked. And having conducted many organisational reviews, I know that in trying to find the origins of such responses, our understanding of how the world works expands exponentially.
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ARTS AND CULTURE
- Tim Kroenert
- 03 March 2016
In the history of the Second World War and the deathly screed of the Final Solution, the Sonderkommando cuts a pitiable figure. These Jewish prisoners at Auschwitz and other death camps who were forced to perform the logistics surrounding mass murder - the carting and disposal of dead flesh - though patently victims, were viewed by some as collaborators. Son of Saul provides an immersive and impressionistic extrapolation of this ethical and actual horror.
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AUSTRALIA
- Gillian Bouras
- 23 February 2016
7 Comments
Elder abuse resembles child abuse in its iceberg qualities: both have received little attention until comparatively recently. In the case of elder abuse, very few cases ever come to court: old people are as helpless as children, similarly unable to plead their own cases, and afraid to: they have little power. The Yiddish proverb springs to mind: If you can't bite, don't show your teeth. The most consistent offenders, sad to say, are family members, who are often adept at exploiting the fear that is part of ageing.
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ARTS AND CULTURE
- Jim McDermott
- 28 January 2016
4 Comments
Not long ago a priest visiting from abroad told me that the story of Spotlight doesn't really apply to his country. 'We don't have that problem here.' It's a comment you get somewhat regularly from some parts of the world. Would that it could only be true. Without a much greater willingness on the part of the institutional Church to let itself be broken and changed by what we have learned since January of 2002, it's more likely a sign of disasters still to come.
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MEDIA
- Kate Mani
- 27 January 2016
2 Comments
A few months ago, someone I know died. We had only met a couple of times, accepted each other's Facebook friend requests, and messaged each other on and off. But I grew to know him well. His face filled my Facebook newsfeed weekly. Now I see his family's farewells, and the preceding year of photos makes it even easier to picture their grief. Be it the loss of a friend or a city shattered by terror, the 21st century colossus that is social media has reinvented the wheel of commemoration.
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AUSTRALIA
- Lyn Bender
- 18 January 2016
18 Comments
In the early hours of a brand new year, two small boys had their lives extinguished by a purportedly depressed father. For me this event brought to mind two cases from a past life, when I was the manager of Melbourne Lifeline. One was a woman who disclosed that she had killed her two small children a decade earlier. In a second case, a belligerent suicidal man expressed rage towards his former partner, who was about to remarry. I asked pertinent questions. Would he harm his children? 'Yes.'
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MEDIA
- Rochelle Siemienowicz
- 13 January 2016
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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AUSTRALIA
- Justin Glyn
- 11 January 2016
4 Comments
Health care professionals at the Royal Melbourne Children's Hospital have begun to do what could not be achieved by reports from the UN Special Rapporteur on Torture and Australia's Human Rights Commission. The doctors and staff are refusing to release children they treat back to the detention which caused their problems in the first place. By this brave act has begun the slow task of pouring daylight (always the best antiseptic) into this gaping wound in Australian society.
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AUSTRALIA
- Lisa Stewart
- 07 December 2015
14 Comments
The first thing I see is a familiar tableau: Mother and Child, seated, the sweep of the lines of the mother's body sculpting a circle of security and warmth around the gentle wrigglings of her baby. Except that this is no Christian Madonna, but a young Muslim woman in her early 30s, quiet, gentle and shy. Seated on her lap is her little child who has my heart the minute I lock eyes with her. Dancing around her is a skinny, black-haired seven-year-old girl with the same smile, and far too much energy for the space permitted her.
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MEDIA
- Rochelle Siemienowicz
- 23 November 2015
10 Comments
The success of the Australian comedy The Dressmaker is thrilling to those watching the local film industry. There's more to cheer in the fact the film is proudly female in both story and production. We're not as bad as Hollywood, but even in Australia, there are not enough films for women, about women and by women. Since the 1970s male directors have been responsible for more than 85 per cent of the feature films made. Why does it matter? Because women are more likely to tell stories about women.
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