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There are more than 200 results, only the first 200 are displayed here.
Ridley Scott’s Gladiator II promises grandeur. Paul Mescal dazzles, Denzel Washington commands, and sharks make their sword-and-sandals debut. But spectacle overshadows story in a sequel that’s more baffling than breathtaking. Are we entertained? Sort of.
Michelle de Kretser's new book Theory and Practice is a creative combination of fiction and essay, and concerns the moment in which the encounter with literature, a connection with another human imagination, is replaced by something called 'Theory'.
Starring Cate Blanchett at the height of her powers, Disclaimer, the new streamer by Alfonso Cuarón, has already been dubbed the finest thing ever made for the new television, with the director claiming not to have made a serial, but a continuous film.
As the Booker Prize winner is announced, the perennial questions resurface: What does winning truly mean for writers — and for readers? As public values shift, literary prizes ignite fierce debate about artistic merit, cultural relevance, and the commercial impact of awards. Can a prize still shape the future of fiction?
Al Pacino is an actor we’re inclined to take for granted, given his presence in some of the greatest popular films of the last half century, not least his Michael Corleone in Coppola’s Godfather trilogy, which revealed an actor of extraordinary stature. Sonny Boy is a consistently diverting and illuminating book by a man who has little pomp and circumstance about him.
In Juice, Tim Winton crafts a haunting world where climate apocalypse and moral ambiguity collide. This monolithic novel depicts a dystopian future scarred by climate change, with Winton’s intricate prose showcasing his mastery and leaving readers to grapple with its fierce ethical landscape.
If only those who send their nation’s youth to war would read Muse of Fire, World War I as seen Through the Lives of the Soldier Poets. It is both homage and horror story. It carries the reader across several fronts – the disparate journeys that led these men to the killing fields of Europe, the blood-soaked chrysalis from which the words of the war poets arose.
Advanced industrial societies are running out of ideas, masking stagnation with financial trickery, which is now faltering. In contrast, developing nations can clearly advance through industrial phases, especially by building infrastructure. For them, the path to improving lives is clear; for developed nations, it remains uncertain.
With moments of shared perspective and common ground, the weird thing about the CBS debate the debate between the two putative vice-presidents, J.D. Vance and Tim Walz, was how civil and considerate it was and (in its way) how impressive.
After decades of cinematic highs and notorious flops, Francis Ford Coppola self-financed this grand spectacle — his boldest gamble yet. But in a film landscape that favors safe bets, can Megalopolis rise to the occasion, or will it be a final, glorious folly from one of cinema’s greats?
If you care about theatre and film and television you should be grateful to have lived at the same time as Maggie Smith. She was an artist of incomparable power and nuance, of tremendous wit and complementary poignancy. The Harry Potter kids are lucky to have experienced such style and know-how and grace.
The End of the Morning provides a rich reading experience, showing the reader an Australia that has been largely lost. But most readers will have a sense of dissatisfaction: they will want more. An unfinished novel, and an unfinished life.
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