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Keywords: Artwork

  • ARTS AND CULTURE

    My autistic superpower

    • Paul Micallef
    • 26 October 2015
    9 Comments

    My brain lacks a degree of 'pre-programming'. I am naturally open-minded and non-judgemental. When asked a question I immediately (often dispassionately) think of many possible solutions. This is great for questions like 'How can we improve this system?', and less good for questions like 'On which body part do you wear your pants?' The secret to learning social rules is in understanding emotions. Knowing what is 'appropriate' often comes down to how it makes the other person feel.

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  • INTERNATIONAL

    Rehabilitating Mexico's Hollywood image

    • Garry Westmore
    • 20 October 2015
    3 Comments

    Hollywood need not deny the violence cartels have perpetrated upon one another, members of the public, police and military. But to almost exclusively engage with Mexico in terms of this violence provides a badly limited perspective on that country. Hollywood does something similar when it goes to Africa and tells only stories of warlords and child soldiers. To do so brings nothing to the conversation, but merely exploits tragic situations for the benefit of laughs and action.

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  • INTERNATIONAL

    Oppressing compassion in Europe and Australia

    • Bronwyn Lay
    • 28 September 2015
    16 Comments

    When refugees walked into Europe, away from distant distress sites, their presence made the global issue visceral for Europeans. Australia doesn't have asylum seekers walking en masse through ordinary streets. Our border is one of established hatred. 'Stop the boats' policy denies ordinary Australians their compassionate impulse, and creates a history that our children will face judgement upon. It denies humanity's collective memory after World War II.

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  • INTERNATIONAL

    Ecuador's example for Australia's neglected arts

    • Catherine Marshall
    • 25 September 2015
    1 Comment

    On a terrace just below the house is the beloved, late Ecuadorian artist Guayasamin's masterpiece, La Capillla del Hombre. A collection of his imposing artworks fills the space, works that ask the unanswerable question: why is man equally capable of such cruelty, and such compassion? It is a question that all good art should pose — a point that Australia's newly appointed Minister for the Arts would do well to remember.

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  • ARTS AND CULTURE

    Thoughts on a lonely God

    • Gillian Bouras
    • 10 August 2015
    12 Comments

    When my son was four, he asked me one night, 'Why did God make the world and us?' I nearly broke a plate while searching for an answer; in the event, he beat me to it. 'I think he did it because he was lonely.' Perhaps the great, 'blasphemous' Greek writer Nikos Kazantzakis also considered the possibility of God's loneliness, for at one stage he wrote: 'My God and I are horsemen: we ride and converse.'

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  • ECONOMICS

    Rich retirees may need the aged pension

    • David James
    • 31 July 2015
    6 Comments

    There has been great pressure on both of the major political parties to stop giving so-called rich retirees partial pension income. The conventional view has become that retired millionaires should not be feeding off the public teat. But in terms of income, many of those 'rich retirees' would actually be better off on the pension.

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  • AUSTRALIA

    'Australian Muslim' is not an oxymoron

    • Somayra Ismailjee
    • 15 June 2015
    16 Comments

    There is a particular anatomy to the process of othering. In any context, the formula consists of propaganda, hatred, division, suppression and control. I'm from Perth. Some people would dispute this due to my brown skin and non-Anglo name. But I was born here, and have lived here for my entire life. Still, people like me are too often considered Australian only by law, and not by sociocultural connotation.

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  • AUSTRALIA

    Roman holiday's graffiti highlight

    • Catherine Marshall
    • 05 June 2015
    1 Comment

    You can never see a city again for the very first time, and so instead I observe my son as the Rome he's heard about comes alive before his own eyes. His greatest fascination is not its stand-alone antiquities, but the graffiti that blooms all around them. To me, these are displays of vandalism; to him they are cultural constructs as important to modern subversives as gladiatorial contests were to the Romans.

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  • ARTS AND CULTURE

    Seeking restitution for Nazi art theft

    • Tim Kroenert
    • 28 May 2015
    4 Comments

    Maria's aunt was the subject of one of Austria's most famous artworks, Portrait of Adele Bloch-Bauer I, by the painter Gustav Klimt, which was stolen from Maria's family by the Nazis during the Second World War. Maria's story raises questions about the means and consequences of individuals and nations coming to terms with difficult histories, and of what constitutes 'ownership' of cultural artefacts with a high level of national significance.

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  • AUSTRALIA

    The wisdom of humane prison design

    • Mathew Drogemuller
    • 24 April 2015
    5 Comments

    The tougher the prison is, the tougher the prisoners will get, just to survive. Then, when they are released, all they know is crime and the only people they know are criminals with no money. But it doesn't have to be that way, as Norway's 'no bars' Halden facility demonstrates with its ensuites and flat screen TVs that mirror life 'on the outside' as far as possible.

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  • AUSTRALIA

    Turning off the lights on Australian research

    • Tseen Khoo
    • 09 September 2014
    4 Comments

    The research sector in Australia is increasingly one marked by casualisation and disappearing career paths. The depressed nature of working in this environment means that the very people who we'd want to solve our society's most crucial, pressing issues are the ones who will be looking elsewhere to establish their careers. How do we equip our community with better ways to live, work and connect without research? Where will answers to persistent problems come from?

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  • INTERNATIONAL

    Imelda Marcos and the seduction of time

    • Fatima Measham
    • 29 August 2014
    7 Comments

    As the world marks the International Day of the Victims of Enforced Disappearance on August 30, new generations of Filipinos find it hard to grasp what it meant to express dissent when Ferdinand Marcos was president. Some assert that, compared to the current standard of governance and politics, life must have been better under Marcos. Such perceptions are validated when trusted institutions invite Imelda Marcos as guest of honour.

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