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Two books about a 1942 massacre of Australian nurses were released last year. One is reliable, the other is notable for factual omissions. If we leave something out, are we then guilty of censorship? Alternatively, if our truth-telling offends someone else, what is our justification for so doing?
How can we make progress on the question of whether debate can do harm, and if it can, whether that’s a sufficient reason to suppress particular debates? Or should we adopt a ‘no debate!’ approach to particular topics ourselves?
As the government drafts legislation to stem the rising tide of misinformation circulating online, the nation debates: will these measures sufficiently regulate online content and curb potential harms or threaten freedom of expression? This moment is a critical test for the integrity of Australia's public discourse.
Catharine Lumby was a friend and beneficiary of Moorhouse’s mentoring and advice, and before his death, was approached by him to write a warts-and-all uncensored biography. In Frank Moorhouse: A Life, Lumby explores the life of this man of letters in all of its colour and contradiction.
In a world increasingly governed by algorithms and AI, the ancient deity Moloch emerges as a haunting metaphor for our tech-driven sacrifices. Drawing parallels from historic rituals to present-day digital dynamics, ancient fears offer insight into today's most pressing existential challenges.
When a comedic story is withdrawn from a literary contest for referencing Putin, it bears reflecting on various shades of censorship. In an interconnected world where social media storms can shape the narrative, what does freedom of speech mean for writers today?
A response to a man begging on the street leads a group of friends to consider the power of humor and humility in difficult conversations. Can these qualities can help guide conversations about difficult topics like banning and censorship?
Roald Dahl's beloved children's books have been given a makeover, with 'sensitivity readers' rewording phrases that might offend modern sensibilities. But what has been lost in this sanitisation of Dahl's work? Do we risk losing the very essence of what makes these works so powerful and enduring?
The rights and wrongs of what has happened in recent years regarding the experience and sufferings of transgender people have ended up as a polarised and difficult area of discourse, affecting women’s lives and rights far more than men’s. In the current situation, Raymond is a clear voice about the erosion of women’s rights and safety in what should be the safest, most pluralistic arena of all: academia.
Writers inevitably learn bitter lessons, including one about readers who will be wounded, hurt, or at least deeply offended by their work. There is usually more than one group of these, for people become upset for reasons that are many and varied. Such is the case in the reaction to Jeanine Cummins’ fourth book, American Dirt. Cummins has been variously accused of stereotyping, racism, narcissism, and of lacking in empathy.
Sins have often been divided into those of thought, word and deed, with deed regarded as the worst. Today we pay more attention to sinful words, realising the harm that they can do. Bad words can bring social exclusion. Yet complex questions surrounding the use of words remain.