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The traditions of All Saints Day and All Souls Day invite a rare reflection on death — a topic largely sidelined in contemporary Australia. Amid global events and various cultural spectacles, these days offer a quiet reminder to consider how we honour the dead and what that reveals about our values.
War breeds division far beyond the battlefield, fueling hatred and resentment across societies, and the conflict in Gaza has reignited long-standing animosities. As Yom Kippur approaches, its themes of repentance and forgiveness urge us to recognize the humanity in both the victims and perpetrators of conflict.
How do you try to turn a human into something less than human? You take away their voice. The Taliban in Afghanistan have recently introduced new laws that ban women’s voices and faces in public, continuing the extreme subjugation of half the Afghan population.
You have to admit, the French have form for mocking religion. But with their peculiar take on the Lord's Supper with all its Dionysian excess, the colourfully irreverent opening ceremony left many asking: has Paris 2024 turned the Olympics into a ritual of performative ethics?
When Stephanie Alexander released the immensely popular The Cook’s Companion in 1996, she became a literal household name. The reason for her success lies perhaps in the knowledge that the true essence of cooking lies not in perfection, but in the act of coming together.
The Week of Christian Unity encourages the healing of divisions between churches, and is intended to restore unity among Christians. However, we should wonder at how realistic that vision is in a society where division provides most of the news of the day.
Les Murray once confessed it was his mission to 'irritate the hell out of the eloquent who would oppress my people,' by being a paradox that their categories can’t assimilate: the Subhuman Redneck who writes poems. And therein lies the ‘poem’ of Les Murray: complex, contradictory, sublime, and sometimes ready to whip his enemies with a scorpion’s tail.
Each year, the Stations of the Cross liturgy affects me more than I had planned. Annually, I am left wondering: why does this ritual work? Well, it has much to offer: a narrative with exposition, climax and denouement; characters big and small; blood, gore, politics, virtue, cowardice and a pointer towards mystery.
Generosity is most heartwarming when it is a habit. We see it in people whose first inclination is to give something to a beggar, to stop and listen to a hard luck story, to think first of persons affected by war and economic crises and only secondly to policy, to welcome people into their homes and to go out of their way to help.
The world of Fargo, like ours, is a fallen one, and it’s clear at the end of this season that the cycle of violence will continue. But we’re also left with a strong hope that some of the characters might have found a way out of that hellish cycle of debt and restitution. And if there’s hope for them, there’s hope for us all.
In his latest book, The Empty Honour Board: A School Memoir, Martin Flanagan reckons with the legacy of abuse in the Catholic Church by looking back at his experiences at boarding school in Tasmania. In an interview with Michele Gierck for Eureka Street, Martin talks about the process of uncovering what happened all those years ago.
Fifty years ago, the Aboriginal Liturgy was the first attempt by the Catholic Church in Australia to re-shape the Mass, and was the first time we had witnessed and experienced Aboriginal people expressing their Catholic faith in ways that were culturally different from our own.
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