Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
Before the U.S. election, Don Watson predicted the electoral victory of Trump in his essay High Noon, an exploration of a divided America teetering on the edge. Dissecting the economic, racial, and cultural forces that led to a Republican landslide reveals an imperfect union at its most vulnerable.
For decades, Australian political satire has taken aim at the powerful with wit and irreverence, forging a distinct comedic tradition that holds up a mirror to society, revealing truths in the face of national absurdities. Now after 25 years, the iconic Wharf Revue takes its final bow, closing a celebrated chapter in the story of Australian satire.
The story of Race Mathews’ career will be an antidote to despair about politics and politicians. It underlines the possibilities of politics, showing how it can be more than a job or a career. It can be a calling to imagine a more just society and ways of building it.
I wish I could tell you why Nobody wants this is so funny without giving spoilers. Add to that the real tenderness between the two lovers, and you’ve got something unusual: a believable romance, funny and sometimes surprisingly honest with little moments of humility and vulnerability.
The Forest Wars reveals how vested interests make life difficult for the scientists and activists who attempt to defend the environment, a war waged through deforestation on one hand and deception and obfuscation on the other. Linenmayer asks: if we continue to allow vested interests to drive deforestation, how long before the forests — and the future they promise — are lost beyond repair?
When we look back a decade hence on the way we lived in 2020, Shirley is going to serve as a literary time capsule. If you’re in search of a visceral feel for what it’s like to live in a specific place at a specific time — namely Melbourne in 2020, as the first pandemic in a century casts a pall over the zest for life itself — this book is a must read.
To counter threats to academic integrity posed by AI, universities need to continually update policies, alongside placing additional emphasis on examining what makes effective academic writing.
How do you respond, when members of your own tribe share their distaste towards those who rub them up the wrong way? Do you ‘unfollow’? Do you engage? And if you vent against those who who offend with their own dearth of tolerance, are you guilty of doing the same?
These unpublished treasures of my father’s are sure to strike a chord amongst those readers whose hearts wander among the more hidden byways, as I have discovered within myself.
With Furiosa, George Miller returns to the Mad Max franchise that launched his almost five-decade-long career. Apocalyptic wastelands with their cacophony of blaring engines and vistas of desert panoramas are second nature to him by now. But fans of the film (myself included) must sadly admit that Furiosa is tanking at the box office, and is only the most recent in a string of female-led actioners that have flopped.
What can you say when faced by another season of Bridgerton – that posing, poncing, irony-defying travesty of all history, literature and human relationships? Bridgerton took the Barbara Cartland romance/mild erotica ethos and dumbed it down to fifty shades of fluorescent polyester.
Jerry Seinfeld makes his directorial debut Unfrosted, a gleefully silly family comedy about the invention of the Pop-Tart. But the problem with this film is whether the sheer weight of comedic talent involved translates to actual laughs. Packed with countless cereal-based gags, it raises the question: Are disposable, pointless things worth anything?
1-12 out of 200 results.