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There are more than 200 results, only the first 200 are displayed here.
Michelle de Kretser's new book Theory and Practice is a creative combination of fiction and essay, and concerns the moment in which the encounter with literature, a connection with another human imagination, is replaced by something called 'Theory'.
For decades, Australian political satire has taken aim at the powerful with wit and irreverence, forging a distinct comedic tradition that holds up a mirror to society, revealing truths in the face of national absurdities. Now after 25 years, the iconic Wharf Revue takes its final bow, closing a celebrated chapter in the story of Australian satire.
As the Booker Prize winner is announced, the perennial questions resurface: What does winning truly mean for writers — and for readers? As public values shift, literary prizes ignite fierce debate about artistic merit, cultural relevance, and the commercial impact of awards. Can a prize still shape the future of fiction?
In Juice, Tim Winton crafts a haunting world where climate apocalypse and moral ambiguity collide. This monolithic novel depicts a dystopian future scarred by climate change, with Winton’s intricate prose showcasing his mastery and leaving readers to grapple with its fierce ethical landscape.
Australian writer Hal Porter once described himself as a 'watcher,' a quiet observer of life from the verandahs of his youth. Decades later, from a balcony in a Greek village, the same rhythms repeat — family conversations, street vendors, and the steady hum of village life — reminding us how time subtly transforms both what we see and how we see it.
The End of the Morning provides a rich reading experience, showing the reader an Australia that has been largely lost. But most readers will have a sense of dissatisfaction: they will want more. An unfinished novel, and an unfinished life.
The latest series of The Rings of Power is a real curate’s egg. Whether having some bits that are good among other bits that are on the nose is a conundrum that this viewer must sort out for herself. Do the bad bits ruin the whole thing?
When we look back a decade hence on the way we lived in 2020, Shirley is going to serve as a literary time capsule. If you’re in search of a visceral feel for what it’s like to live in a specific place at a specific time — namely Melbourne in 2020, as the first pandemic in a century casts a pall over the zest for life itself — this book is a must read.
Good poetry stops us in our tracks, visited as we are by whatever it is that has stopped the poet in his tracks. This agency may properly be, as in Walcott's case, something stemming from cultural marginality, from a fascination with the dramatic, from an equipoise between the lyrical and the epical, or from the interweaving of all these. (From the Eureka Street archives)
For a nation ‘conceived in liberty’, much of how this U.S. election will play out will hinge on different understandings of the word ‘freedom’, a term that has two distinct and separate meanings depending on whether the person you’re asking votes red or blue.
In an uncertain world, the one certainty is that of change. Much like David Malouf’s idea that we are all exiles, even those of us who never leave home, for this is the effect that the passing of time has: familiar worlds become strange no matter where we are.
Once the backbone of Western democracy, the philosophy championing free speech, tolerance, and civil political discourse is often reviled by those on both the Left and Right. In our desire for justice and meaning, is there a need to rediscover the principles that have long fostered human flourishing?
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