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We are thrilled to announce that Amy Thunig is the recipient of the 2018 Margaret Dooley Emerging Indigenous Writers Fellowship. Amy is a Kamilaroi woman and a researcher at the University of Newcastle. We can't wait to present her writing to you over the coming year!
A thread of male entitlement binds the American literary world to a shepherd's world in India's Kashmir valley. Days ago, the American author Junot Diaz left the Sydney Writers Festival amid allegations of sexual abuse. In India there is another, more sinister and tragic manifestation, woven with the use of rape as a weapon of war.
How are we to engage with views that we disagree with, when they are held by groups that we are part of or that are part of us? In this special episode of ChatterSquare, we present 'Dissent Within', the Eureka Street panel at the 2017 Melbourne Writers Festival.
A little over a year ago, Lionel Shriver delivered the opening address at the Brisbane Writers Festival, deriding political correctness and defending the practice of cultural appropriation by white writers. This year's festival didn't attract real controversy, but the memory of last year still lingered, and it's clear that parts of that mentality live on.
The Melbourne Writers Festival (MWF) starts on Friday 25 August. It’s a good time to consider what such a festival says about our local cultures, as well as being a perfect time to think about how you relate to that culture.
One of the 30 comedians, satirists, cartoonists and writers they interviewed was John Clarke. 'I first met John Clarke five years ago,' Murray recalls in his 1992 introduction to the interview, 'even though we grew up in the same town in New Zealand and for a while went to the same school. My claim to fame is that I nearly knew John Clarke. Recently when we looked though his school photos we realised that we knew every kid in Palmerston North in 1960 except each other.'
Recognising the necessity of initiatives and events in which you would not participate but that others find exciting and worthwhile is partly about social generosity. It's also about acknowledging that the public culture that surrounds you is not - and should not - only reflect you and your priorities. Ideally, it would involve knowing about, and potentially advocating for, the presence of groups and voices that are currently absent or misrepresented.
In a utopian world, free of racism and bigotry, there would be no problem with writers having complete artistic freedom. It becomes a problem when, for example, a white author takes the experiences of a Ugandan woman and writes a novel that becomes an acclaimed bestseller, while writers of colour struggle to get published and have their own stories told. This is white privilege at its finest. Morally, should the privileged be able to profit from the experiences and oppression of another culture?
The Margaret Dooley Young Writers Fellowship is offered to support the development of young Australian writers aged 15–25.
The best writers on sport show that it is a metaphor for life. Perhaps that is why the triumph of the Western Bulldogs in the AFL Grand Final has been so ruthlessly milked for larger significance. But I would like to exploit it once more for the way in which it illustrates the weakness of a liberal politics that assumes that all will benefit from the economic growth that unfettered competition between individuals yields. The joy of the Western Bulldogs victory lay in its challenge to these assumptions.
Happily, I do not know who the 'real' Elena Ferrante is. Happily, I have blocked my eyes and ears to the unfolding, the unmasking of the Italian author whose anonymity allowed her the freedom from scrutiny to give us seven novels that document the slow burn indignities of poverty and sexism and ambition. How can we accept this gift, a woman writing about the most abject of female pleasures, the darkest impulses, and then demand that she answer inane questions at a writers' festivals?
Holocaust survivor Primo Levi wrote If This is a Man to carry out what he saw as the critical task of bearing witness, and he became one of the greatest writers of the 20th century as he continued to bear witness one way and another in later books. Some day, one of Australia's asylum seekers will, like Levi and with the same sense of dread and horror, tell his or her story to ensure that someone bears witness; and to confirm that all of us are implicated.
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