ARTS AND CULTURE
- Michael Sariban
- 14 March 2017
3 Comments
When she fell, at last, out of this life, I caught him as intended, solid as belief ... eyes raised, palms turned to Mecca, his fixed magnetic pole. A Vienna bronze, perhaps 1920s, most likely a Jewish workshop - a fusion of metals and cultures, before Holocaust, West Bank or Gaza; a figure in robes, on a small carpet, its yellows and reds realistically creased, his sandals ... Aesthetics ranked high in her life - a second, earthly religion - all the style she could afford in the world her parents had fled to.
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