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These events cannot be scrutinised in a vacuum. Fairfax and Nine might still merge. Sky News has made a deal with WIN to broadcast across its regional networks. We will need a robust national and public broadcaster if we are to have an alternative to entertainment posing as news, propaganda as analysis, and advertising as fact.
Instead of following platform prompts to connect more, or logging out entirely, it could be time to get mindful of our audience and develop ways to nourish the online relationships we enjoy. After all, intimacy is still important in the age of the high follower count.
The tradition of court jesters licensed to criticise the king exists in many cultures. It is part of a broader tolerance of satire in which the foibles and sins of the great can be safely criticised. The Shakespearian fools are typical in representing the view of the common man as he speaks truth to power. Printed cartoons stand in this tradition.
Humans are inherently social creatures with a need to converse, yet we live in isolation and mental distress in greater numbers than ever before. Does the ready desire for argumentation online that some thrive on come from wanting to feel, well, something — anger, certainly — rather than passively watching the world whir by?
If there's one thing we can learn from the Serena Williams debacle it is this: never dismiss marginalised people when they insist your interpretation of their experience is wrong.
In the Philippines and elsewhere, the spread of disinformation appealing to fear and hatred has helped create what Rappler CEO Maria Ressa describes as a 'spiral of silence that has had an incredibly negative impact on our democracy'. Social media platforms are far from blameless.
Whether Carr or Greer participates at Brisbane Writers Festival has no real impact on their ability to speak out and be heard. The real threat to freedom of expression for most people comes not from programming decisions at literary festivals but rather to the public through their employers.
For too long, the media has been complicit in maintaining the conditions which allow the likes of Cottrell and Hanson to become 'figures'. They fuel history wars, demonise migrants, target Aboriginal activists, objectify and ridicule women while ensuring at the end of the day, the Murdochs and Packers of the world still have hefty pay cheques.
In May 2018 Archbishop Wilson was convicted of concealing a serious indictable offence relating to the sexual abuse of a teenage boy by a priest in his diocese. Wilson is the highest ranking Catholic cleric to be convicted of such an offence. The Church's response to this episode should be of particular interest.
I have interviewed Wilson just once, while working for the ABC in Adelaide. I am not a Catholic. I abhor sexual abuse and its concealment. I do not wish to debate the rights or wrongs of resignation but simply reflect on whether the pursuit of Wilson could be described as a witch-hunt and whether he might be a scapegoat for the sins of many.
There has been a recent spate of men making inappropriate remarks. Barry Hall made a sexist joke on air. David Leyonhjelm told Greens senator Sarah to 'stop shagging men'. Bert Newton made a rape joke at the Logies. They were all called out. The way each responded left a lot to be desired.
On the face of it, Miquela is the same as any other ‘influencer’. But behind her normcore sunglasses, Miquela is dead. Orchestrating her content is Brud, an LA-based tech startup masterminded by Sara DeCou and Trevor McDefries. The more interesting question is not who Miquela is, but why she matters. Because Miquela holds up a mirror to how we construct our own online personas.
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