Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
Writers are not only preoccupied, among other things, with the concept of place, but also with the matter of time and its passing. Novelist L.P. Hartley famously wrote that the past is a foreign country: they do things differently there. Cretan Nikos Kazantzakis considered that ‘the face of Greece is a palimpsest bearing twelve successive inscriptions,’ and he went on to list them, from the 1930s, when he wrote these words, to the Stone Age.
The quality of Niall’s writing is evident in An Accidental Career, though easily unnoticed. It lies in the clarity of her thought, her exact choice of words, the alternation of anecdote and reflection and the self-effacement that creates a direct link between the reader and the work itself. Her writing has the rare gift of simplicity. The precision of the title is characteristic of the book as a whole.
American novelist Jonathan Franzen has in his last three fictional works taken words that loom large in the collective consciousness and built worlds around them. First, it was Freedom (2010), then Purity (2015), and now Crossroads (2021). The latter title, of course, refers to a literal and figurative decision-making moment, but also the mythic locale where blues singers, notably Robert Johnson, made their pacts with the devil.
Sins have often been divided into those of thought, word and deed, with deed regarded as the worst. Today we pay more attention to sinful words, realising the harm that they can do. Bad words can bring social exclusion. Yet complex questions surrounding the use of words remain.
We should resist the pressure to regard China as our enemy. The pressure to do so is powerful, given the cycle of retaliatory words on both sides that further poison relationships. The impetus to enmity, however, damages both sides. To treat people as enemies means that they become enemies, with the result that both sides will spurn the mutual exchanges that can help each.
It was all very quiet, and the waterfront was practically deserted. But I suddenly noticed a sole woman right at the water’s edge. She had her back to me, but I saw her lift what was clearly an icon, which she then venerated. I couldn’t hear her precise words, but it seemed obvious she was repeating the forms of the liturgy to herself.
If we want to renew religious language and images we must begin with attention to the words we currently use, noticing their resonance as well as their meaning. It is then important for the language of prayer and reflection to be grounded in deep contemporary experience.
People ask why it took the death of George Floyd to make so many Australians stand up. His experience mirrored that of so many Aboriginal people who have died while in custody. His dying words ‘I can’t breathe’ echo through our hearts, because this isn’t the first time a Bla(c)k man has uttered those words while being brutally arrested for a crime most white people would get a slap on the wrist for.
The internet and the online spaces are indeed becoming our lifeline for expression and assembly. This lifeline is under threat and deserves much more protection than it currently has under international law. We now have an immediate opportunity to remedy that.
Who knew that the greatest moral debate of our time would be whether or not to wear a mask? Having sewed my first mask many weeks ago, I’ve been following the millions of words written and spoken on the efficacy of masks, whether to wear them, who should wear them, how to use them, and how to make them. In a genre that is already bending my brain, there is a special sub-category of mask-shaming.
For the Mapuche people, as well as Chileans, the tearing down of colonial and military relics is a statement reflecting the determination to take an active part in the memory process of Chile. It is time, in other words, for the narrative of the oppressed to come from oppressed voices.
To speak of the ecology of words can be illuminating because it evokes the wide range of relationships that words embody. It also invites us to ask broad questions about the healthy and unhealthy use of words in a society.
61-72 out of 200 results.