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If society were a mine, refugees would be the canaries in it. Their condition reveals whether the currents of public air are pure or toxic. By that standard the present currents in Australia are noxious. They mark a change from the first generous response to the coronavirus to the meaner reconstruction of the economy.
Insofar as there is hope in Francesco, it emerges gradually through an intimate viewing of the Pope’s engagement with the ‘hot button’ issues of our day, the environment and climate change, refugees and immigration, violence and conflict, disparity of wealth and poverty, women’s place in society and Church, family and sexuality, and sexual abuse within the Church.
Phyllis Zagano’s latest book Women: Icons of Christ is a must read for all who desire equality for women in our world and an inclusive practice of Catholic faith. The critical issue Zagano presents in this book is that ordaining women to the deaconate is a not a new or forbidden act in Catholic history but rather a return to a practice that endured for hundreds of years.
It would be really easy to ‘both-sides’ these debates, but that would present a false equivalence. Surely, if we have learned anything from this year’s lockdowns, we should have gained a far greater appreciation of the importance of community access to outdoor space — and, therefore, of spatial justice?
This Budget is a missed opportunity. It was a chance for the government to do something radical, to make real and defined impacts. Instead, we’ve increased funding for some regions, but at the cost of some of the most marginalised populations in the world, who have experienced years of discrimination, poverty and displacement.
The Federal Budget this year coincided with the release of Pope Francis’ Encyclical Fratelli Tutti. Both are preoccupied with the shape that society will take after COVID-19. It is tempting to compare their different approaches.
A common argument is that publicly-funded artists take unnecessarily from the ‘average Australian’. In the current international crisis, this argument fails to recognise that artists and arts workers are just as deeply impacted financially by COVID-19 as the ‘average Australian’ in other industries.
The freesias are a delight, for they flower in random places on their knife-edge leaves in yellows and whites and mauves, their beauty absolving them from their dubious classification as weeds. They delight the eye, therefore they are forgiven. But why not the nightshade and the onion weed, with their delicate flowers? What makes a weed a weed, anyway?
Whereas the Vatican II document sought to engage with, and to respect, the autonomy of the modern world and its science, only too many of the Vatican’s official statements over the past fifty years have effectively resiled from that commitment.
Six months grounded and I’d forgotten how to fly. I was due to take my first COVID-era flight, a brief flip from my home in Sydney to Ballina on the NSW mid-north coast for a meeting a few weeks ago. But I wasn’t ready.
For the Life of the World is recent document prepared by Orthodox clerical and lay scholars and ratified by the Ecumenical Patriarch of Constantinople that challenges perceptions. Based strongly in the faith of the church and addressed primarily to members of the Orthodox churches, it is confident and independent in its voice and radical in many of its conclusions.
There is a trend of liberals calling for the West to open its borders to fleeing Hongkongers for economic benefit. It is commendable that these individuals want the West to offer Hongkongers refuge. But to frame this philanthropy in such mercenary terms makes this goodwill suspect: these voices want to capitalise on a traumatic moment of displacement.
157-168 out of 200 results.