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There are more than 200 results, only the first 200 are displayed here.
To many who work in the arts industry, the rise of art-making artificial intelligence may pose an eventual threat to their livelihoods. Will independent artists be replaced by corporations using AI to generate mass entertainment?
As the boat pulls away, a figure is left standing alone on the rocky beach beneath a thick wall of fir trees. The person stares out after the boat relishing the last morsel of human contact they will have for an indefinite time.
How is it that Lismore, one of the most flood-prone towns in Australia, can be so ill-prepared and so badly affected by floods this year? Flood frequency is critical information, so you might expect that such guidance was based on the best available data – but this does not appear to be so.
How do we know that what we call knowledge is knowledge? How do we know that we know? The two books I have been reading here are both about kinds of knowing. Suzie Sheehy is a particle physicist from my old stamping ground, Melbourne University. Sheehy’s story is of passionate hunters for nothing less than the meaning of everything.
Writers are not only preoccupied, among other things, with the concept of place, but also with the matter of time and its passing. Novelist L.P. Hartley famously wrote that the past is a foreign country: they do things differently there. Cretan Nikos Kazantzakis considered that ‘the face of Greece is a palimpsest bearing twelve successive inscriptions,’ and he went on to list them, from the 1930s, when he wrote these words, to the Stone Age.
The case of the Murugappan family illustrates the punitive and puritanical approach of the previous government towards human beings arriving in Australia by boat and then seeking asylum. The tone of each message clearly reflects totally different attitudes towards the people affected, with special note of the fact that Minister Chalmers rang the family to tell them, and then rang people in Biloela to pass on the news.
On May 3, the Prime Minister of the Solomon Islands, Manasseh Sogavare, vented his fury in parliament at ‘the continual demonstration of lack of trust by the concerned parties, and tacit warning of military intervention in Solomon Islands if their national interest is undermined in Solomon Islands.’ The targets of the speech — Australia and the United States — were clear enough.
Whoever is Prime Minister after the election on May 21, he will need to address the question of Indigenous recognition in the Australian Constitution. This is the sixth election in a row when the question has been a live, unresolved issue during the election campaign. The patience of Indigenous leaders is understandably wearing thin. Trust is waning. There is still no clear path ahead. So where to from here?
The lives of migrants often consist of divisions and collisions at the border between the old life and the new. But sometimes both lives come together in unexpected ways, and one such conjunction is about to happen to me. On Anzac Day my granddaughter will join the great flow of Orthodoxy, but I hope one day she will know about her little trickle of Australian blood.
In 2020 as the Covid-19 pandemic raged globally, as Australia shut its borders and some states shut in their people, massive government income support was introduced. The government was a little slow coming to recognise the need for such measures. Once they had, they wanted the support rolled out as quickly as possible. Frydenberg, Scott Morrison and their colleagues recognised that a demand side boost was absolutely necessary to sustain economic activity. The government was uncomfortable, though, with this approach.
By attending to the faces of people who are seen as props to the election campaign, and developing an interest in the background of social change in different parts of Australia, we gain a deeper understanding of Australia and its needs. At one level election campaigns are all showbiz and make believe, but at another the humanity that they can never quite stifle also punctures the images that the contesting partners project of Australia.
A house bursts into flames as it’s submerged in floodwaters. A doctor tells a cameraman filming a dying Ukrainian child to send the footage to Putin. A newspaper delves into the murder of a young woman. It’s like a fever dream: a pandemic bleeds into the edges of a global war. The news presents information, and it has no moral duty to tell us how we should feel about it or help us untangle the knot of feelings which emerge.
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