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After the dogs and the trots on the pub's TV have been silenced, the musicians arrange themselves around the table. Martin Kelly closes his eyes, plucks his guitar and sings a ballad written at the time when the potato famine was laying waste to Ireland.
Scorsese’s is a fallen world. Like Cain, his tortured characters are driven further into the wastelands – whether the desert or the untamed streets of New York – by their acts of almost mythical violence, until any remaining vestige of hope or virtue is finally extinguished.
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