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The sole purpose of bringing up Aboriginal women who are victims of abuse in political discussions is often to further oppress our populations. It's certainly not to give those women a voice, empower them to build solutions and ensure that these solutions are funded adequately.
Is it any wonder that when I came to work in the press gallery I was cynical about arts policy? In those lockup hours scouring budget papers it was clear yet again the arts would not see any wins. It wasn't always this way. Prime ministers and arts ministers of yesteryear produced arts policy informed by their personal and political interest.
Louise, Aline and Kapinga are hardly household names in Australia. They are better known in Malawi, having received the prestigious Scientific and Technological Innovation Award at the Malawian National Schools Science Fair. Aline and Kapinga are all refugees residing at Malawi's Dzaleka Refugee Camp.
The practice of appointing business people to oversee arts bodies is as questionable as referring to the arts as an 'industry'. Business and the arts work on almost diametrically opposed rationales. Understanding this might go a long way towards assessing the art world more intelligently.
There are opportunities for both sides of politics, government and opposition, in the leftovers from 2017. The balance looked to have shifted somewhat back towards the government in the final weeks of last year. The task of Malcolm Turnbull will be to begin the new year as he ended the last.
Too few inversions of this power dynamic come along. So we are allowed to laugh a) that some careless handling of furniture can go a long way toward embarrassing people, and b) that those same people have expanded surveillance mechanisms and presided over lapses in data security. It schadens our freude, for sure.
In his address Trump stated that throughout his first year, 'we have gone forward with a clear vision and a righteous mission: to make America great again for all Americans'. If America is to live up to this, the president must not ignore the issues faced by Americans of colour. Our experiences are what truly built this country.
Aboriginal filmmaker Warwick Thornton exercises his visual mastery to its fullest in order to elevate a straightforward story of outback brutality and racial prejudice to the proportions of myth.
There must be something in between those world-wide 60 million urgers bobbing in their boats ... Nailing up our own 400, give or take a few, to crosses cut from tropic palms via chainsaws made in China, intending that the westward waft from all the dried and dying will stop those wallowers in Java from putting out to sea ...
Other states, having been founded on various dates, regarded 26 January as a Sydney thing until 1935. In 1938 it was declared an Aboriginal Day of Mourning. To press the point, the current momentum against Australia Day is not some newfound 'political correctness', not least because it predates the term.
Vincent Long's testimony was notable for its directness, honesty and the awareness it displayed of the importance of church culture. Long grew up in the Vietnamese Catholic Church and was afterwards chosen to lead the Australian Church. In his responses he focused on clericalism and its role in giving license and cover to clerical abuse.
These seven poems were written by students of the Fitzroy Community School in Melbourne. They were among the many submitted to the Dorothea MacKellar Poetry Awards, the oldest and largest annual national poetry competition in Australia. This year's subject was 'All Over the World'.
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