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A large part of ending violence against women and children is about convincing men that there’s a more healthy way to live; that there’s a society in which they can feel comfortable in themselves, pursue their dreams, and find love and comfort with others, and feel respected for who they are.
Liberal democracies seem increasingly threadbare, insufficiently creating just outcomes for vulnerable people. We need a rejuvenation of stable and fair democracies in which integrity and trust are evident. To that end, I suggest we revisit the liberal egalitarianism of 20th century American philosopher John Rawls.
With very little public debate or consultation, Victoria has repealed almost all laws relating to prostitution. Alone among all recreational activities, sex for payment is now unrestricted, even regarding health and safety. If we really care what happens to people, what place does sex work have in our society?
I only wish when I was growing up there had been examples of autistic characters on television like Heartbreak High’s Quinni (Chloé Hayden), played by actors who are themselves autistic. Chloé Hayden is one of the first autistic actors to play an autistic character in a major TV series, and I feel angry that I didn’t see this sort of representation when I was younger. If I had, I may have realised I was autistic before I was in my 20s, which may have made my journey easier.
Recently many people have expressed disquiet about the trend to authoritarian rule throughout the world. They have good reason for doing so. In the world we are entering, the freedom of citizens in the State depends on the will of Governments that will have no enforceable obstacle to withdrawing such freedoms on suspicion of future misconduct and not just for punishment of past, proven misconduct.
July marked the tenth anniversary since offshore refugee processing was introduced in Australia, a step that marked a change in Australian policy from an uneasy balance between respect for people in need and the pressure to deter further arrivals. The principle of deterrence is deeply corrupting because it is based on the conviction that it is acceptable to punish one group of people in order to deter others.
The beauty of questions is they remind us that we do not know, even as they lure us into their openness. Questions are rarely ever closed or settled. Honner’s books are built around questions. ‘If God made the world, who made God?’ Or, leaving behind pure speculation, ‘Why doesn’t God answer my prayers?’ These are deep mysteries, but they are not meaningless mysteries, Honner says.
To say that democracy is under threat is now a truism. And to sustain democracy is a complex task. People need to believe in it and experience its benefits. This demands a deep grounding, founded on our shared human dignity and on our shared responsibility to shape our own lives within the community on which we depend.
The Way had been a community of homeless people, built around difficult but wonderful characters. It taught me more than I can easily say. It was a world where things were not always as they seemed and people did not fit into little boxes. We had many challenging days and relationships with our guys were seldom easy, but there was an energy that found light in unexpected places.
In Nicaragua, Catholic priests and institutions are under siege. In the last five months, the Ortega regime has increased its persecution of the Church, accusing them of being ‘terrorists.’ The conflict has been further exacerbated by the detention of Bishop Rolando Álvarez, the most outspoken critic of Ortega. In less than four years, the Church has suffered 190 attacks, including a fire in the Cathedral of Managua. However, the crisis in Nicaragua is not as clear-cut as it might seem.
Uncle Boda was a figure who managed to tease out an image at one mention with his humble and unambitious doctor’s practice, for which he worked for years to obtain. He had read medicine in India, and to this day it remains unclear how long he spent trying to earn his degree.
Five years ago, the beloved and I were in a reality show called Everyone’s a Critic. The show took us all to art galleries, mostly in Melbourne and Sydney, plonked us in front of some artworks, asking us to say what we thought of them. I realised TV norms being what they are, that we could have a ten-minute conversation about artists with whom we were familiar and all that would make it onto the program would be ten seconds of me mentioning my mum.
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