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A psychologically scarred war veteran struts about dressed as James Brown. An annual 'rocket' festival sees men celebrate explosives, in a country riddled with unspent American bombs. And a ten-year-old boy, who is accused by his grandmother of being a bad luck charm, sets out to prove that he is not to blame for the tragedies his family has endured.
Many Australians feel ownership of Nguyen's story, who was executed for drug trafficking in Singapore in 2005. Khoa Do more than most Australian filmmakers has the moral authority to tell that story without being accused of exploitation. Yet it is hard not to sympathise with the objections of Nguyen's family to Do's SBS new miniseries. Which mother would want public property made of her private grief?
A grief-stricken Amish man stalks and psychologically tortures the man who murdered his daughter. A Vietnamese veteran seeks vengeance on the American soldiers who slaughtered his fellow villagers. But for one alcoholic writer, the idea of absolving violence through violence jars with his pacifistic leanings.
The anti-American rhetoric is direct and effective, the phrase AMERICAN WAR OF AGGRESSION a recurring, pulsating slur. Yet who would deny it, faced with this photographic account of Vietnamese suffering? There are at least two versions of any war, and this is theirs. But there are others.
My dad and his RSL mates repeatedly told us 'Vietnam was a toy-boy war, only 501 died' as though numbers are a marker of grief. My tears often fall in an unremitting flood for eight mates who committed suicide soon after they arrived back home.
While Australia's early history is marked by violence, the Fraser Government's decision to accept nearly 60,000 Vietnamese refugees, the Mabo decision, and Paul Keating's Redfern speech provide positive narrative touchstones that can help lead Australia to maturity.
'Kennedy was a cold warrior, but Johnson took it to the next level. He had the same my-balls-are-bigger-than-yours complex as Dubya.' The narrator journeys into the past in order to produce a kinder America. One that may not throw itself into Vietnam with such lust. Published 16 November 2011
'Kennedy was a cold warrior, but Johnson took it to the next level. He had the same my-balls-are-bigger-than-yours complex as Dubya.' The narrator journeys into the past in order to produce a kinder America. One that may not throw itself into Vietnam with such lust.
Tuc was an officer in the South Vietnamese army. After the war ended in 1975 he was interned by the North Vietnamese for many years, locked up in a hole in the ground. I asked him how he survived. He smiled and pointed to his picture of the Madonna.
My father would harbour a modern sense of can-do-ism and irreverence for tradition throughout his life. It was his vision of a new and better world along with the conviction that his sons had no future in the Socialist Republic of Vietnam, that drove us on to that horribly overcrowded boat in 1979.
In Australia a mass strike is unimaginable. The bureaucratic hoops required before a strike can be considered a legal 'protected action' are Kafkaesque. Therefore strikes have become small, localised and limited to issues of contractual entitlements.
Mother Fish recreates the journey by sea of a group of Vietnamese refugees. During an election campaign where both major parties are trying to win votes with prejudicial rhetoric about 'border protection', a bit of truth and humanity is just what's needed.
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