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Twenty-five years ago the tanks rolled into Tiananmen Square. One eyewitness kept a tally of the dead that reached 2600 before hospitals went mum due to pressure from above. If China is to overcome the challenges it will face in the decades ahead, it must draw upon the great reserve of strength, the spirit of solidarity that was on display among the protesters that spring. Instead there remains a concerted effort to forget.
It would be foolish to believe that female liberation can occur in a vacuum: as long as there are girls and women being brutalised in the DRC, schoolgirls being sold into slavery in Nigeria's border regions, girls around the world are being subjected to female genital mutilation and women being supressed by religious ideology, then the acquisition of our own freedoms — flawed as they are — is a hollow victory indeed.
In 1983, when his yacht Australia II won the America's Cup, Alan Bond hailed the feat as the greatest Australian victory since Gallipoli. His ludicrous misspeaking shows that by the 1980s the mythmakers' interpretation of the significance of Gallipoli was dominant. But the notion that the Diggers of Gallipoli and their successors in subsequent wars are somehow the paramount exemplars of Australian virtues does not survive scrutiny.
Damage was done to the reputations of Pell's secretary Dr Michael Casey, and to the solicitors from the his chosen legal team Coors, who would have heard clearly the warning of Justice McClellan that saying they were following their client's instructions would be no defence. There is the damage done to the Australian Church as a whole, and, of course, the damge to Pell himself. This is not how he wanted his reign in Sydney to end.
Arts minister George Brandis has accused artists of 'bullying' corporate heavyweight Transfield. The artists' recent ultimatum to the board of the Sydney Biennale threatens to kill the event and possibly the entire model of arts sponsorship in Australia. Both sides of the dispute have lost sight of the opportunity that networking between artists and sponsors offers for civilised conversation that leads to a better world for all.
View this week's offering from Eureka Street's award winning political cartoonist.
The ANZ Bank faces a huge payout after a class action by its customers secured a partial but significant victory against the bank's unfair and illegal credit card late payment fees. This is happening because we have laws to protect consumers. The Federal Government is well advanced in its efforts to wind back existing and planned laws that protect consumers, as they are considered red tape that places an unnecessary burden on business.
'Don't mention the war!' admonishes John Cleese as the hapless hotelier Basil Fawlty in the classic television comedy series Fawlty Towers. With a string of war-related anniversaries to take place over the next four years, beginning this year with the centenary of the outbreak of the First World War, we may soon find ourselves sharing Fawlty's sentiments.
I'm fifth generation Australian, but I don't have a word to describe the emotional malnutrition I feel at our leaders' lack of vision. Maybe there are words for such feelings in Yamatji, or Eora, or Noongar, but most of us wouldn't know. This was a place with more linguistic individuation than Europe, before our boat-people ancestors arrived, but they didn't take the time to learn its words or hear its stories.
The backsliding began before Gonski even got started: his riding instructions were to ensure that 'no school will be worse off'. Since then one backward step has followed another. What the prime minister wants now from the state premiers when they meet on 19 April is not Gonski but the appearance of Gonski. She may not get even that.
Laid out with care this woman lifted from a dry river-bed. Here is death but also preservation: turned-up nose, high cheekbones, long lashes fringing her sunken eyes ... Beside her a child staring, close to tears, hands bunched into fists ... a six-year-old girl and this ageless beauty. Rising between them the dust of centuries.
Punter is a bloke's bloke, 'brung up' in a limited but nurturing suburbia of cricket, cricket, golf and cricket. I was genuinely touched by his acknowledgement of the role his wife, Rianna, and their daughters have played in his maturation. Yet while life experiences invariably expanded young Ponting's mind, it's fair to say that there remains something of the awkward teen in the man.
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