Welcome to Eureka Street
Looking for thought provoking articles?Subscribe to Eureka Street and join the conversation.
Passwords must be at least 8 characters, contain upper and lower case letters, and a numeric value.
Eureka Street uses the Stripe payment gateway to process payments. The terms and conditions upon which Stripe processes payments and their privacy policy are available here.
Please note: The 40-day free-trial subscription is a limited time offer and expires 31/3/24. Subscribers will have 40 days of free access to Eureka Street content from the date they subscribe. You can cancel your subscription within that 40-day period without charge. After the 40-day free trial subscription period is over, you will be debited the $90 annual subscription amount. Our terms and conditions of membership still apply.
There are more than 200 results, only the first 200 are displayed here.
A man took his own life Saturday, shooting himself outside the White House. The scene was cleared, the victim identified, and everyone moved on. In America, a 26-year-old firing multiple rounds into himself right outside the presidential residence is not an A1 story. It may not spark conversation or policy change - but it should.
Many films and TV shows use mental illness to explain violent behaviour. The stereotype is so ingrained that after the recent Florida shooting, Trump said he would deal with 'the difficult issue of mental health', but didn't mention guns once. In reality, people with mental illness are more likely to be the victims than perpetrators of violence.
The antecedents of Right-White Nationalism have, over three decades, entered mainstream Australian discourse. In Romper Stomper, it is represented by far-right group Patriot Blue, and a TV shock jock resembling those that Peter Dutton speaks to. But Romper Stomper doesn't pretend violence is the monopoly of the right.
When misused power remains unchallenged, it is the most vulnerable who suffer most. The truism finds acerbic embodiment in the Slovak-Czech black comedy The Teacher, whose setting in 1983 communist-ruled Czechoslovakia provides a historical backdrop that doubles as an analogy for any socio-political context where power can be a means to personal ends.
Increasing the feelings of shame of being unemployed and restricting freedoms doesn't create more jobs and only grinds down a vulnerable group who are subsisting on a meagre payment. But the government is yet to show any meaningful concern over the significant risks of these draconian welfare policies.
Her suffering is just as severe as any of my dying patients endured. From time to time she contemplates suicide. I cannot assist her to take her own life and it is important that I cannot. My role, when all else fails, is to sit with her, to understand her powerlessness and mine in the face of her suffering, and help her find a way through.
In this time of austerity I am pleased and proud that Our Glorious Leader has decided to curtail the luxuries which we had formerly enjoyed ... for our own good, of course. I refer, of course, to our rapidly diminishing pool of civil liberties.
Euthanasia legislation would lead to further coercion against vulnerable persons in society: the elderly and people with disability. Once voluntary suicide is legalised, to continue living becomes a choice that people will have to justify to themselves, their family, and society. It is especially the case for persons who have to depend on the assistance of others: the elderly, and people with disability.
How much fear do we want? Enough of it preserves our lives. Too much of it diminishes our lives. Currently, the balance is skewed by an overload of fear. Anxiety, its clinical name, is in epidemic proportions.
Speak out against Israeli policies towards Palestinians and you are betraying fellow Jews. This narrative is common, and we see it today in relation to human rights organisations in Israel. It is not new. The same thing occured decades ago, when scholar Gershom Scholem accused Hannah Arendt, the author of Eichmann in Jerusalem, of lacking 'love of the Jewish people'.
If two current Australian films are anything to go by, then one social issue weighing on local filmmakers in 2017 is the danger to women of emotionally and physically violent men. Neither film is a mere portrait of victimhood. The heroes of Cate Shortland's recent Berlin Syndrome and Ben Young's upcoming Hounds of Love - in the former, an Australian traveller in Europe, in the latter, a teenage school girl in suburban Perth - are ordinary women with both the will and capacity to fight back against their assailants.
The reconciliation of this vertical relationship is possible only through the mediation of Jesus who embodies, lives and dies the reality of this reconciliation. He puts us right with our God and thereby establishes the basis for right relationship with each other. In many countries such as Australia, Timor Leste and South Africa, the public rhetoric and programs for reconciliation have, at least in part, been informed and underpinned by this theological perspective.
109-120 out of 200 results.