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The New York Times editorial on 15 August was all about tragedy in describing the fall of Kabul to the Taliban. ‘Tragic because the American dream of being the “indispensable nation” in shaping a world where the values of civil rights, women’s empowerment and religious tolerance rule proved to be just that: a dream.’
Like the best religious poetry, Dylan’s works resists easy interpretation and remains open to endless meditation. Dylan’s overtly political songs — ‘Hurricane’, ‘Political World’ — and love songs — ‘Idiot Wind’, ‘Tangled up in Blue’ — have often been challenging. It’s the same with his religious output.
In its Christian context, Easter Sunday celebrates the rising of Jesus to life. It follows his brutal execution on Good Friday after rigged trials. Good Friday this year occurs at the beginning of April, a month which Pope Francis dedicated to prayer for ‘those who risk their lives while fighting for fundamental rights under dictatorships, authoritarian regimes and even in democracies in crisis’.
The military police were waiting for us in Gallipoli and they were not happy. Approaching in darkness, when we rolled to a stop we were immediately surrounded by uniformed figures. A group of men playing cards outside a café watched this drama unfold and one shouted something which made them all laugh. The military police, however, did not laugh.
Before travelling to Iraq Pope Francis was criticised. The criticism bears reflection. It leads us to ask what weight we place on courage, a quality much discussed in antiquity.
The young in Myanmar have no personal memory of those events of 1988 and 2007. They are Generation Z, raised on the internet and with new ways of communicating. Their emotions overcome fear. Gen Z meets the deadly threat with humour and creative protest.
If we want to renew religious language and images we must begin with attention to the words we currently use, noticing their resonance as well as their meaning. It is then important for the language of prayer and reflection to be grounded in deep contemporary experience.
The discussion in Australia as to how such atrocities are to be approached is telling. The call for responsibility has varied by degrees. Most tend to some variant of the rotten apple theory: a few particularly fruits that may be isolated and extruded from the barrel. Culpability can thereby be confined, preserving the integrity of other military personnel and, importantly, political decision makers.
These statues form part of the rich texture of our daily lives, personal histories and cultural environment. They invite tolerant smiles rather than scowls. This article celebrates a selection of friendly Melbourne statues that have reflected places where they and I have stood. It invites you to make your own selection.
Public mask wearing — including ‘a piece of cloth, a scarf, bandana, t-shirt, or paper towel’ — was hot on the global public health agenda. One major demographic, however, had trouble fashioning this expert advice: men.
This year we’ll be celebrating a different kind of Mother’s Day: there won’t be any fancy champaigne brunches with all the restaurants closed. Some of us in this COVID-19 crisis won’t even be able to visit our mothers. And many of us are out of work, too skint to buy flowers.
This year the celebration of Anzac Day will be muted. No marches, no large reunions, few speeches at war memorials. The soldiers and others who lost their lives in war will be remembered, however, as they should be. Indeed, the celebration will perhaps speak more eloquently because of its simplicity.
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