ARTS AND CULTURE
- Benedict Coleridge
- 09 August 2013
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Monet, in a period of deep grief and loss, made what was in his career a rare decision: to paint other people. The artist forgot himself in contemplating the faces of his wife and his son, in depicting the faces of death and of incomprehension. We need icons like this — icons of incomprehension, reminders of the fragile self that, behind its virtual armour, is beset by doubt and demons.
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