Welcome to Eureka Street

back to site
Forgot your password?
Subscribe

Keywords: Romance

  • AUSTRALIA

    There's no such thing as a free blessing

    • Catherine Marshall
    • 14 November 2014
    2 Comments

    I looked at the Brahmin and felt a cackle rising in my throat. 'You said this blessing was free,' I said. 'The blessing is free, but you must pay for the maintenance of this place,' he insisted, sweeping his arm up towards the ghats and the temples surrounding it. I wondered briefly what the consequence would be of defying the Brahmin's demand.

    READ MORE
  • CONTRIBUTORS

    Mrs Clooney chooses patriarchy

    • Catherine Marshall
    • 17 October 2014
    27 Comments

    It came as a surprise, in our apparently post–feminist world, to hear that human rights lawyer Amal Alamuddin had adopted her husband George Clooney’s surname upon marriage. By deleting her own birth name, Amal Clooney is buying into the Western tradition of coverture, established with the express intention of legally constituting women as possessions of their husbands. 

    READ MORE
  • ARTS AND CULTURE

    Cancer teens in love and death

    • Tim Kroenert
    • 12 June 2014
    1 Comment

    Augustus and Hazel meet in a support group for cancer sufferers. During the course of their ensuing romance they both prove to be pragmatic about their own mortality. They share frank discussions about God and the afterlife, and gain little comfort from them. It's an inherently sad story, but to parallel the individual horror of their cancer with the experiences of Anne Frank during the Holocaust is a step to far.

    READ MORE
  • ARTS AND CULTURE

    Feelgood celebration of white male privilege

    • Tim Kroenert
    • 22 May 2014
    1 Comment

    Given last week's unequivocal iteration of the dire state of Australian politics, perhaps we've earned the right to a bit of escapism. The Secret Life of Walter Mitty proves adept at turning the warm-and-fuzzies up to 11. Still there's no escaping the sense that Walter's ability to jet around the world in order to find himself is implicitly an expression of affluent, white male privilege.

    READ MORE
  • ARTS AND CULTURE

    Dangerous, sensual young love and sex

    • Tim Kroenert
    • 01 May 2014
    4 Comments

    During the summer of her 17th birthday, Isabelle manufactures the circumstances of her first sexual encounter. Not long afterwards, she finds herself working as a prostitute. By making men pay her, Isabelle exerts control over the manner and circumstances of her objectification. These are drastic and tragic measures that condemn the everyday exploitation of women by men, from pop culture to pornography.

    READ MORE
  • MEDIA

    Golf mag's slice of sexist misery

    • Catherine Marshall
    • 10 April 2014
    7 Comments

    I got into an argument on Twitter yesterday about Golf Digest's use of a model on its cover rather than a female professional golfer. My opponent assured me that a 'gorgeous girl who modelled for a magazine is no harm' and that it must be 'miserable' to be opposed to every magazine that presented women this way. It is miserable. For most women, objectification is so commonplace that they have learned to live with it as one would a disability.

    READ MORE
  • ARTS AND CULTURE

    Quiet rage against Saudi sexist cycle

    • Tim Kroenert
    • 27 March 2014

    Wadjda is innately political. It is the first feature shot entirely in Saudi Arabia and the first to be made by a female Saudi director, and concerns itself with the pressures women experience in this rigidly patriarchal society. But it is primarily a film not about politics but about humanity. Its characters find self-empowerment and connection not in rabble-rousing but in small acts of rebellion against oppressive social norms.

    READ MORE
  • ARTS AND CULTURE

    Sex, lies and political theory

    • Tim Kroenert
    • 20 March 2014
    3 Comments

    A new film follows the experiences in 1961 of German-American Jew and political theorist Hannah Arendt, who coined the phrase 'the banality of evil' in relation to Nazi 'desk-murderer' Adolf Eichmann. The cerebral nature of Hannah Arendt provides a counterpoint to another current film about a strong, flawed woman: Gloria is remarkable for the way it unabashedly honours the emotional and sexual lives of its older characters.

    READ MORE
  • INTERNATIONAL

    Bali fear beyond Rhonda and Ketut

    • Ali Winters
    • 17 March 2014
    14 Comments

    Insurer AAMI's 'Rhonda and Ketut' Balinese love story, teased out over four commercials and three years, has come to its soapy end. Whether you loved it or cringed, its camp, cocktail soaked tentacles have penetrated the Australian mainstream. But the knowledge Australians have for our closest Asian neighbour is poor. According to a DFAT report released last year, 30 per cent of respondents didn't know Bali was part of Indonesia.

    READ MORE
  • ARTS AND CULTURE

    Dumb dealings in Nazi art war

    • Tim Kroenert
    • 13 March 2014
    1 Comment

    'If you destroy their history, you destroy their achievements and it's as if they never existed,' implores art scholar Frank Stokes. He subsequently leads a team of academics and artisans into World War II Germany on a mission to rescue important works of art from the Nazis. Great art possesses the power to move and inspire, and to document and critique a culture. But is the deadly mission worth the risk to life?

    READ MORE
  • ARTS AND CULTURE

    Transcendent ordeal of an outback pilgrim

    • Tim Kroenert
    • 06 March 2014
    3 Comments

    Robyn Davidson's trek in 1978, 2700km overland from Alice Springs to the Indian Ocean with only four camels and a dog for company, is the stuff of legend. Her physical ordeal takes her also to the jagged ends of her emotional and mental being, as she is pestered by tourists, for whom 'the camel lady' is already a living legend, and by paparazzi, who assail her at her most frayed. There is no missing the spiritual dimensions of her journey.

    READ MORE
  • ARTS AND CULTURE

    A distasteful slice of gender politics pie

    • Tim Kroenert
    • 13 February 2014
    1 Comment

    Adele is a single mother suffering the debilitating after-effects of past trauma. But her story offers no robust consideration of mental illness. In stark contrast to her male counterparts, Adele is merely pitiable and helpless, and lacks the agency to raise herself from despondency. Weakness is thus conflated with femaleness. Only the arrival of a strong, practical and violent man serves to raise her Adele from her stupor.

    READ MORE